Amit Demonstration of Cityscape.

If you want to learn How to paint Cityscapes than watch my first Demonstration and subscribe my YouTube channel.



I am in the process of making new videos and will keep uploading for you.

Aelita Andre - This 12-Year-Old Has Taken the Art World by Storm

Popular Painting Styles

In painting world there are so many styles that are very popular. But before giving an account of different popular styles we need to know what the term "style" means. In fact, there is not any certain definition of "style". It may be understood in the aesthetic terms as what to paint or which physical technique implied in painting. Aesthetic movements like realism, romanticism and impressionism belong to this explanation of style. To further understand it, we may say that style is said to be the ways an artist paints and applies colors and texture. The perspective and the way in which an artist looks at the things visible and invisible characterize his or her style.

Scholarly discourse on style has given more technical term "movement" or "school" to which an artist can be associated with. Inclusion of an artist to certain school or movement may be done by the deliberate affiliation of the artist to such movement or by the art historians.

Some of the popular painting styles are discussed under following heads:

Constructivism: This movement had started in Russia in the wake of socialism. It was not purely an art but was a fusion of art and architecture. This movement was principal inspiration in raising many socialist establishments in Russia after the October revolution. Constructivism was on high in the period between 1919 to 1934. The chief proponents of this style of art were Alexander Rodcheckno, Liubov Popava, Vladimir Tatlin and Olga rozanova.

Fauvism: This is painting style in which proponents believed in the use of color as a massive emotional force. This style was marked by expression of feelings in colors with severe roughness and clumsiness. The use of simplified lines to expressively reveal the subject and theme of the painting was also used to be the attempt of the artists. They preferred spontaneity and freshness over the finish in any work of art. Pioneer of this art style was Gustave Moreau.

Classicism: This term refers to the paintings style employed by the ancient Roman and Greek painters. Classicism is characterized by the simplicity and adherence to the basic rules and principles. This art style is refined and elegant, disciplined by order and symmetry. Classicism is unique style which does not encourage self expression and individuality. Michelangelo, Leonardo da Vinci, Raphael and Mantegna were the painters who tried to imitate this ancient style of art.

Besides, there are so many other styles and schools which are significant and have expressed different thoughts and subjects of the self and society in a unique way. Noteworthy of them are- abstract art, aboriginal art, aestheticism, art brut, art nouveau, baroque, Byzantine art, cubism, dada, dragging, encaustic, paintings, expressionism, gothic, impressionism, mannerism, marbling, minimalism, modernism, neoclassicism, orientalism, primitivism, ragging & stippling, realism, spattering, surrealism, symbolism, theorem paintings and wood graining.

Rajneesh Dubey is Content Coordinator for http://ethnicpaintings.com

This website gives you comprehensive informations on painting history, development, trends, popular painting styles, great painters, famous paintings, painting galleries and museums, painting tips, painting classes. In other words, this website is a treat to painting freaks.

To have more comprehensive idea about Popular Painting Styles please visit Ethnic Paintings

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SurajFineArts - Abstract ART (SailBoats)

Isn't Watercolors Hard?

It seems that each time I show my watercolor paintings at shows or events, someone will say to me, "Watercolors are hard."

I smile and ask, "Why do you say that?"

THE MYTH : There is a myth circulating that painting with watercolors is difficult. Why? Is it because watercolors can become uncontrollable and people tend to want to be in control? Is it the effects of the medium? Or, what, I do not know? This myth continues to fascinate me and who knows, maybe, someday, I will have an answer.

THE TRUTH : Watercolor painting is not unlike other disciplines. Whenever a person undertakes a new experience there seems to be a "training period" where learning and skills are acquired. At this stage in the game, most people seek out an experienced person who they admire and who possesses that which they would like to emulate. This is true with any endeavor, so why not watercolor painting?

What makes watercolors different? What makes them so different is that you never know what will happen. Are you a person who likes surprises? Watercolors will surprise you each and every time you paint. A colleague of mine has a favorite saying which is "Let's see what will show up when I paint today." It is absolutely fascinating what water and pigment will do. To repeat an effect is challenging or not possible. Each time it is unique.

There are established techniques for watercolors as with any other art medium. These skills are helpful yet not necessary to express your self in watercolors. Many artists, and I believe everyone is an artist at heart, freely paint and allow what appears to tell them where to go or what to do next. Sometimes "what is" can be pleasing by itself. There are NO RULES! It is my belief that artistic expression lies in all of us and requires only a sense of trust and the freedom to allow the flowing for magic to happen.

A favorite way I freely express myself with watercolors is to paint Mandalas. Basically, painting within a circle, a mandala, creates a meditative state whereby a person freely paints anything they wish. In my experience sharing mandala painting with students, we have witnessed an array of all beautiful, unique mandala creations.

The one thing that sets watercolors apart from other painting media is that it is a spontaneous method. First impressions are vital. You cannot go back and change it, or rarely. This might be a little intimidating to people, yet it can be very refreshing, too. I have found that my favorite paintings have had this light, first impression touch which magically flows, no effort. It is just there.

Not every piece is a masterpiece. Of course, there is always more paper. I must admit that I have turned less successful paintings into new paintings with collage. Watercolor paintings are full of happy accidents. You will never know what to expect and this is the nature of watercolors and most likely fuels the myth.

ARTISTIC EXPRESSION: The fun of creating is what it we are all about, right? It is our connection with our soul. I feel as if I learn everyday when I sit down to create a watercolor painting. Watercolors change, I change, the subjects change. People tend to avoid change because it requires letting go of external layers of beliefs. Maybe the myth is true that watercolors are difficult, what do you think?

Joanne Osband is an accomplished artist and registered art therapist who is a kind and masterful guide for assisting others to discover the gifts that live within us.

http://www.ColoringOutOfTheLines.com

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Acrylic Paints are Different From Oil Painting

Acrylic paint comes in a tube, just like oil paint. However, since acrylic paint is water-based meaning it dissolves in water instead of oil-based meaning you need to dissolve it in oil or turpentine, it's much easier to clean up after. You can soak your brushes and clean your hands in plain tap water, instead of smelly and flammable chemicals.

Another advantage to acrylic paint is that it dries much faster than oil paint usually
overnight. If you're working on a painting that needs to be done on time, that's
important. Acrylic paint was developed as a water-based alternative to traditional oil
paints.

Acrylic paints can be diluted with water, but become water-resistant when dry.
Depending on how much the paint is diluted with water, the finished painting can
resemble a watercolor or an oil painting.

Acrylic paint is a fast-drying paint containing pigment suspended in an acrylic polymer
resin. Different from oil painting as watercolor is different from oil painting. There are
techniques, which are available only to acrylic painters, and there are also restrictions,
which are unique to acrylic painting.

Acrylic paints can achieve an oil-paint-like effect, and do so in much less time. Applied
to look like oil paints, acrylics are somewhat limited due to the superior color range of
oil paints, and the fact that acrylic dry to a shiny, smooth.

Acrylics paints are sometimes used in place of watercolors because acrylics dry closer
to the desired color slightly darker, usually, while watercolors dry lighter and often
unpredictably, especially for beginning artists.

Roger King has been writing articles on decorative interior painting for several years, and has been helping people find and review the best value for interior painting solutions.

Visit his web site www.decorativeinteriorpainting.com for free tips and guides for your next painting project

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Vietnamese Painting - Brushing Excellence On Canvas

There is nothing more beautiful than an artwork that stimulates aesthetic pleasure. Such aesthetic experience acts as a catalyst to enhance our happiness. Earlier, the classical works of art drew heavily from nature's beauty. But of late, modern art work chiefly draws inspiration from the mundane life of man. In other words, modern art captures both material and the spiritual on an equal plane. This trend of depicting the various aspects of human life is clearly evident in the paintings of Vietnam.

http://www.vietnamartist.com/product/summer-morning/

From a historical perspective, Vietnamese painting is not a very old art form. It's been only seventy years since the first official art academy of Hanoi, the Ecole de Beaux Arts, opened its doors to local students. However, the cultural origin of Vietnamese painting dates back much further. There has been a consistent effort on part of the Vietnamese people to devote themselves in serious artwork. When the first lessons in line, drawing, anatomy and landscape painting were offered in the early decades of the twentieth century, the art students began taking inspiration from the religious and cultural background of Vietnam. These new learners of art sketched their native villages and fellow farmers in the canvas following the lacquer and silk traditions. During the French colonial period, the students of art took to painting readily as they already possessed the materials needed to create a painting. Once the means to convey their artwork was secured, the new generation of painters began to produce an amazing variety of exquisite paintings. The vision of the past has changed but even today, artists of Vietnam keep on drawing inspiration from the past.

Connoisseurs of art, especially from the West, often complain of the deep influence of Europe in Vietnamese paintings. However, it is surprising to note that modern Vietnam artists still prefer to paint in the age of digital images and multimedia! Yet, if we analyze closely the environment in which the Vietnam artists live and work, we would conclude that painting suits the sensibilities of the Vietnamese artists as it incorporates the century-old cultural and religious motifs of the people. Besides, this expression of art is most immediately available to them. The European touch in Vietnamese painting is by no means accidental, but deliberate. A majority of Vietnamese painters love and appreciate the Western art and hence try to apply some of their techniques in their paintings so that the world would look up to them and give equal weightage to Vietnamese art. The West has not inspired the subject matter of Vietnamese paintings; rather the latter conveys the intricacies of the cultural and social life of Vietnam. Vietnamese artists, like other artists of the world, are moved by their environment and have taken recourse to a delicate way to voice their sentiments through color and poetic imagery.

For a great many years, Vietnamese painters struggled to give free rein to their expression on canvas. Lack of opportunities and adequate funds had created great obstacles to the success and recognition of Vietnam painting. Scarcity of information from the West set their imagination free and Vietnamese art thrived with luxuriance. Overcoming all these obstacles, the Vietnam artists showed their skill to paint under any adverse circumstances. Their resilience and determination are clearly mirrored in the originality and freshness of Vietnamese paintings.

Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries.

Vietnamese Fine Art

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Acrylic Painting Basics

Today I am going to talk primarily about working with acrylics. Now, I would guess that oils are much like acrylics - at least in the way I like to apply them and in the end result I like to achieve. I know that they can be applied more like watercolors, too, but that's not how I prefer to use them. I will say right off that what I like most about the acrylics is also what I like least. They do dry very quickly and since patience isn't one of my virtues, that's what I like about them. However, on warm days, or if I want to paint outside, they really dry too quickly. But, I keep a spray bottle of water handy to wet them on the palette and I have found that some of the mediums you can buy really slow down the drying time, too. Plus, I like the look of the gloss medium added to the paints in many situations. Over the last couple of years I have started to use one of the "stay wet" palettes that can be purchased in most art supply stores or from catalogs, and they really do work wonderfully in the studio for extending the life of the acrylics you already have on your palette.

I don't buy any one brand of acrylic paint over the other, but do prefer some colors in one brand over another. For example, Sap Green in Liquitex is a lot different than Sap Green in the Dick Blick brand. I'm not sure why. I don't usually get the student grade paints in ANY brand, however. I like working with a limited palette, mixing my own colors, starting with an underpainting and using the color wheel when deciding on colors for my paintings. I think all of these will make wonderful starting places for topics in the future.

As far as painting surfaces go, I like to experiment there, too. I've tried a lot of different canvas types, and sometimes I gesso them myself, even if it says its already been done. I do like the portrait grade canvas better, especially when I am doing people, as it is much smoother. I also like painting on gessoed hardboard and even Pastelbord, which has recently become a personal favorite of mine! This is a rather unusual surface, but one you acrylic painters really should try if you haven't yet!

For examples of this fantastically versatile medium visit http://www.hughbanksart.com/ to view pieces done on the various surfaces discussed in this article.

Well, this is a start. I've enjoyed discussing acrylics in this very basic way and look forward to breaking down the different elements in more detail in the future.

Debbie Hughbanks
http://www.hughbanksart.com/

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30 SIMPLE ART TECHNIQUES

Acrylic Painting - Color Palette Basics

Today I am going to be talking about choosing your palette of colors, color mixing, and how I choose to apply my acrylics to my painting surface of choice.

I don't have a very extensive array of acrylic paints, but I think it is a lot of fun mixing colors. I think the color wheel is a good tool and starting off place for me (as well as for most artists, whether a beginner or professional), and experimentation is great fun and as artistic expression. I also read a lot of books and talk to a lot of artists to get hints and suggestions about everything from all directions. I think that is helpful to us all and I highly recommend it!

For starters, as a "color basis 101", I have been told to use black very sparingly, and I do. If I do use anything close to that, if is "Payne's Gray", but usually I like to mix complimentary colors for the darker areas and try to put lots of colors in my shadows. This really adds a lot of interest and beauty to your painting. Besides, if you are a true observer of nature you will notice that shadows are not black at all, but are made up of multiple and varied colors, values, and hues. Try to be a great observer!

I choose to paint with a pretty limited palette and mix my paints to achieve the effects that I want to achieve. This accomplishes several things. This will save you money (if that is a concern of yours) by limiting the number of tubes of paint you are required to purchase. This will teach you a lot about mixing paint to achieve the colors you require ( by referring to the color wheel). I feel that your colors are much more stunning and true to life by painting this way than using colors straight from the tube, anyway. I never use any colors directly from the tube anymore. And, by mixing your own colors, you will have a continuity through out your painting that can only be achieved in this way.

When working with a painting that will have a large amount of green in it, I like to first start out by placing a wash of red over the entire canvas (surface). Red being the complement of green "greys" down the green making it a more natural color in the end. This is a great tip to use when painting landscapes, etc. that will require a lot of greens, but that you don't want to have a harsh, or "kelly" green look to them. Another thing that I would definitely suggest is to mix your own greens (using blues and yellows) instead of a tube green - unless you go to a sap green or one of the already "greyed down" greens. Even those greens I mix with something else, I as said, previously.

I almost always like to do a wash on the surface before starting the painting as this does give a nice sense of cohesion to the painting. I have been told by a lot of artists that they feel the same way. Many times this is a complimentary color that will come shining through the subsequent layers of paint.

I usually start at the back of the painting and work toward the foreground saving the greater detail and stronger colors for the main subject and the aforementioned foreground area. When painting masses, such as muscles on an animal for example, these are usually darker areas and I start with these first when starting the subject. Then I work in many, many layers until finally reaching the lighter areas and highlights. My paintings always consist of multiple layers of glazes and/or washes - many times in the double digits - in order to achieve the effect that I wish to achieve.

Most importantly when working with colors, as with any aspect of painting, is to have fun with it! I think that if you do that it really comes through in your work. For examples of my acrylic paintings please visit http://www.hughbanksart.com I hope you can see that I have a passion about my work and that the "fun" I spoke of is coming through in my own pieces!

Debbie Hughbanks
http://www.hughbanksart.com/

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Paint with Kevin Hill - Hidden Lake

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Aluminum painting technique

Help! My Watercolor is Broken

I've learned through many years of my own watercolor mistakes and others that when you think your watercolor is broken... that that's not necessarily true! I taught art at the secondary level for 15 years so through fifteen years of helping students with their "broken paintings", and of course my own, I've learned to fix a lot that has been thought to be "waste basket material." You know what's really neat is that that particular painting sometimes becomes even better because of the creative fix.

I've always heard that watercolor painting is one of the most difficult types of mediums to paint in because it is unforgiving. I've found out though that with a good watercolor paper you can rub and scrub and scrape a lot of those mistakes away. Sometimes you can even run the paper under the water faucet to wash away all your paint, except for of course, the staining colors. I do believe though, that in order to paint a successful, non- frustrating watercolor painting, you must learn about the paint and also you must learn the basic watercolor techniques first. So take a class, watch a video, or read a book, whatever works best for you, to learn some of the basic watercolor techniques such as: graded washes, wet into wet, glazing, lifting and so on. You must most certainly learn to paint in stages, in other words, patience. Here's an example: You're gung ho and ready to paint a beautiful landscape so you paint the graded wash for the sky first. You must stop and let the sky completely dry before you paint the hard edged sawtooth mountains jutting up into the sky because if you don't wait, you'll end up with the fuzzytoothed mountains blurbing up into the sky. You will be more successful by beginning your painting with your watercolors in light values first and then build the darker values into the painting as you go. You can always get darker later, that's for sure. Sometimes you can't get lighter with watercolors unless you add an opaque white, which in my book is still o.k. to do, but you then are not a pure transparent watercolorist, if that is what you were striving to be.

So my point is, there are ways to fix a broken watercolor so don't give up. Learn the basics first to avoid many beginner problems but then remember.... With a tough watercolor paper, you can wash, scrape, erase, rub and scrub lots of those mistakes away. Don't give up and don't believe that watercolor is too difficult, because if I can do it, anyone can! That's that!

Paint like no one is watching!

www.plumedarcher.com

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Vincent Van Gogh, the Tragic Story of a Brilliant Painter

Twelve years after his tragic suicide, Vincent's work was discovered by a Parisian art dealer. Until then, no one, except for those who knew him personally, had ever even heard the name. Today, large sums of money are exchanged for his work.

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Vincent was born in the Dutch village of Zundert, in the south of the Netherlands. He studied theology and became a preacher in the Methodist Church. He also worked for several different art dealers in The Hague, London and Paris. Only in 1880 does he start painting, first traditional and very "Dutch", reflecting the Dutch rainy climate with many dark brown colors.

In 1886 Vincent moves to Paris, and two years later to Arles, on the Mediterranean, near Marseille. On the 20th of October of that year, Vincent's friend Gauguin joins him in Arles. Vincent's art becomes lighter in color, showing the Mediterranean sunlight in it.

Two months after Gauguin comes to Arles, Vincent has a schizophrenic episode and cuts a piece of his own ear off. The years following, Vincent starts to get very sick, and he eventually kills himself in 1890. His brother, Theo van Gogh, who had supported Vincent all of his life, dies seven months after Vincent, possibly from grief.

Van Gogh never sold a painting in his life. Today, his paintings are the most expensively sold in the world, and are admired around the globe in many museums and private collections. He also is celebrated as the forerunner of the expressionist movement.

Written by Duco Sminia

Featured artist: Vincent van Gogh [http://vincentvangogh.dusmart.com].

Research done by Irene Sminia.

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Here is a super large, as well as super sturdy canvas mount we customized for a very talented artist https://www.instagram.com/danielle_rovetti_art - This stunning work of art is a mixture of concrete, oils and resins....

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A post shared by Danielle Rovetti (@danielle_rovetti_art) on Jun 26, 2019 at 10:21am PDT