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A Rose Grows in Rehab - Using Watercolors as a Healing Tool

As a visual artist, I am always discovering ways that art can be used to enhance the lives of others. One of those ways is to aid in the healing of those mentally or physically ill.

My Tools

This year I started traveling with a small watercolor kit. The size of the kit is a "4x6" block. I also use the Strathmore blank post cards. The imperial watercolor paper works well for this kind of thing.

I went to a physical rehabilitation facility on a Monday evening equipped with these tools. The woman and friend I was visiting was in her seventies and recovering from surgery on her neck.
After we chatted for a while, I asked her if she would like a picture for her room. Her answer was a resounding YES. I should note that she already had an assortment of my prints in her home. Consequently, it was not a hard to convince her to allow me to paint.

My wife entertained her with a modern day version of a familiar bible story while I worked. I drew the rose first and completed it with the watercolors in her favorite color-Yellow. This enabled me to complete the work quickly.

When the rose was completed, this woman with hands still fighting for mobility reached out to touch the painting. Her face glowed as she looked with awe at her picture. I signed it and wrote a note of encouragement before I hung it where she could see it at all times.

Her roommate then begged me to paint a picture for her also. I did.

I am convinced, as many artists reading this will agree that artists must constantly work on their craft. Therefore, if you work on your art while visiting someone it can be a win-win situation.

Please know that I AM NOT SUGGESTING THAT YOU GIVE AWAY YOUR MASTERPIECES. However, believe that the person who is ill will see what ever you can contribute as a masterpiece. You will also be donating your time and healing concern. Isn't that what art is all about?

Lets all keep working to bring healing art to the world.

Ray Horner is a fine artist, inspirational speaker and art instructor

http://www.hornerartworkshop.com

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Isn't Watercolors Hard?

It seems that each time I show my watercolor paintings at shows or events, someone will say to me, "Watercolors are hard."

I smile and ask, "Why do you say that?"

THE MYTH : There is a myth circulating that painting with watercolors is difficult. Why? Is it because watercolors can become uncontrollable and people tend to want to be in control? Is it the effects of the medium? Or, what, I do not know? This myth continues to fascinate me and who knows, maybe, someday, I will have an answer.

THE TRUTH : Watercolor painting is not unlike other disciplines. Whenever a person undertakes a new experience there seems to be a "training period" where learning and skills are acquired. At this stage in the game, most people seek out an experienced person who they admire and who possesses that which they would like to emulate. This is true with any endeavor, so why not watercolor painting?

What makes watercolors different? What makes them so different is that you never know what will happen. Are you a person who likes surprises? Watercolors will surprise you each and every time you paint. A colleague of mine has a favorite saying which is "Let's see what will show up when I paint today." It is absolutely fascinating what water and pigment will do. To repeat an effect is challenging or not possible. Each time it is unique.

There are established techniques for watercolors as with any other art medium. These skills are helpful yet not necessary to express your self in watercolors. Many artists, and I believe everyone is an artist at heart, freely paint and allow what appears to tell them where to go or what to do next. Sometimes "what is" can be pleasing by itself. There are NO RULES! It is my belief that artistic expression lies in all of us and requires only a sense of trust and the freedom to allow the flowing for magic to happen.

A favorite way I freely express myself with watercolors is to paint Mandalas. Basically, painting within a circle, a mandala, creates a meditative state whereby a person freely paints anything they wish. In my experience sharing mandala painting with students, we have witnessed an array of all beautiful, unique mandala creations.

The one thing that sets watercolors apart from other painting media is that it is a spontaneous method. First impressions are vital. You cannot go back and change it, or rarely. This might be a little intimidating to people, yet it can be very refreshing, too. I have found that my favorite paintings have had this light, first impression touch which magically flows, no effort. It is just there.

Not every piece is a masterpiece. Of course, there is always more paper. I must admit that I have turned less successful paintings into new paintings with collage. Watercolor paintings are full of happy accidents. You will never know what to expect and this is the nature of watercolors and most likely fuels the myth.

ARTISTIC EXPRESSION: The fun of creating is what it we are all about, right? It is our connection with our soul. I feel as if I learn everyday when I sit down to create a watercolor painting. Watercolors change, I change, the subjects change. People tend to avoid change because it requires letting go of external layers of beliefs. Maybe the myth is true that watercolors are difficult, what do you think?

Joanne Osband is an accomplished artist and registered art therapist who is a kind and masterful guide for assisting others to discover the gifts that live within us.

http://www.ColoringOutOfTheLines.com

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Acrylic Painting Techniques

The acrylic painting medium is a fairly new addition to the various painting mediums available to today's artists. It has been around since the 1950's and has been continually under development and refinement ever since.

Acrylic paint is highly favored amongst artists because of its wonderful versatility. It can be applied thickly as an impasto having rich texture or in washes mimicking the characteristics of watercolor.

Another likable characteristic of acrylic paint is its permanence. Acrylic paint is not susceptible to yellowing or hardening with age. With acrylic paint, the artist does not need to be concerned with the order the paint is applied or other special techniques that ensure the paint film remains free from cracking. So it can be said that acrylic paint is much easier to use than oil paint.

Yet another characteristic that invites new artists to this medium is its fast drying time. Since acrylic paint dries so quickly, colors can be applied and overlaid quicker than with oil painting.

There are however a few downsides to the quick drying time of acrylic paints:

1) The paint will not remain workable for very long, so you have to work quickly.

2) The fast drying time of acrylics can also ruin brushes if the brushes are not cleaned immediately.

3) Acrylic paint is not the best medium for direct painting outdoors, especially on a bright sunny day. Whatever paint you put out on your palette will begin to dry quickly and form a skin over the surface of the paint making it very difficult to work with.

Watercolor Effects

Acrylic paint works wonderfully as a transparent medium, similar to watercolor. Acrylics do have an advantage over watercolors. You can lay out a number of thin washes over one another without fear of disturbing the colors underneath. You must wait for one layer to dry completely before applying another of course. Once each layer dries it becomes insoluble in water. The only disadvantage to using acrylics as a watercolor medium is the difficulty in modifying the color. Once acrylic paint begins to dry it becomes rather difficult to work with. One of the biggest problems is the tendency for washes to dry with unwanted hard edges. You can avoid this problem in one of two ways. You can either dampen the paper before the paint is applied or you can use an additional brush dampened with water. Use one brush to apply the paint and immediately soften the edge with the other brush that has been dampened with the water.

Blending Opaque Colors

With watercolor effects, the acrylic paint is applied in transparent washes. With the opaque technique the paint layers are non-transparent. Blending opaque acrylic colors can be a bit tricky as you are kind of pressed for time. It is important therefore to only work on areas that you know you will have enough time to blend. To blend two colors, first paint a block of each color side by side on your support. Where the two colors join paint down that line with a clean damp brush to soften the edges. To blend the colors even further, move the blending brush from side to side or up and down, until the desired blending is achieved.

Sgraffito Technique

Sgraffito is a scratching technique. It got its name from the Italian word graffiare which literally means to scratch. Just as the name implies it involves scratching into the surface of the wet paint which reveals either the ground or layer of dry color underneath. There are a number of different tools that can be used for this technique. Tools like screwdrivers or the sharpened end of an old paintbrush handle should suffice. It really depends on the support you are using. For instance, a screwdriver may not be the best tool if you are using a panel as a support. The hard metal may damage the panel, so you would need to use a softer tool.

Using a Squeegee

A regular squeegee that you can purchase at any hardware or auto store can create some interesting effects when used with acrylic paint. First you would squeeze out some paint blobs directly along one edge of your support. You can layout whatever colors you wish. Then with one fluid motion you would drag the paint across the support with your squeegee, which will smear and mix the paint and create some very unique and interesting designs. You may need to alter your squeegee a bit as the rubber blade that comes with most squeegees may not be rigid enough to drag the paint. You can remove the rubber blade and in its place glue in a regular wooden ruler. This will give you a flat sturdy edge to manipulate the paint.

I hope you have enjoyed this article on acrylic painting techniques. Take some time today to experiment with these techniques and have fun. Happy Painting!

Ralph Serpe is webmaster and founder of Creative Spotlite, a free arts and crafts community. For more free art lessons like this, visit: http://www.creativespotlite.com today. Visit our blog, http://www.artinstructionblog.com as well for even more free art instruction.

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10 Simple Acrylic Painting Tips | Do's & Dont's, Be a Better Painter

12 Easy Painting Hacks You Need To Try

Acrylic Paints are Different From Oil Painting

Acrylic paint comes in a tube, just like oil paint. However, since acrylic paint is water-based meaning it dissolves in water instead of oil-based meaning you need to dissolve it in oil or turpentine, it's much easier to clean up after. You can soak your brushes and clean your hands in plain tap water, instead of smelly and flammable chemicals.

Another advantage to acrylic paint is that it dries much faster than oil paint usually
overnight. If you're working on a painting that needs to be done on time, that's
important. Acrylic paint was developed as a water-based alternative to traditional oil
paints.

Acrylic paints can be diluted with water, but become water-resistant when dry.
Depending on how much the paint is diluted with water, the finished painting can
resemble a watercolor or an oil painting.

Acrylic paint is a fast-drying paint containing pigment suspended in an acrylic polymer
resin. Different from oil painting as watercolor is different from oil painting. There are
techniques, which are available only to acrylic painters, and there are also restrictions,
which are unique to acrylic painting.

Acrylic paints can achieve an oil-paint-like effect, and do so in much less time. Applied
to look like oil paints, acrylics are somewhat limited due to the superior color range of
oil paints, and the fact that acrylic dry to a shiny, smooth.

Acrylics paints are sometimes used in place of watercolors because acrylics dry closer
to the desired color slightly darker, usually, while watercolors dry lighter and often
unpredictably, especially for beginning artists.

Roger King has been writing articles on decorative interior painting for several years, and has been helping people find and review the best value for interior painting solutions.

Visit his web site www.decorativeinteriorpainting.com for free tips and guides for your next painting project

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Affordable Paintings: Art Prints Buying Guide

The fastest way to bring beauty and style to a
room is to put up prints of beautiful paintings. Here's what you
should consider:

Painting Prints Price Range:

Expect
to pay somewhere in the neighborhood of $50-$500 for an unframed
print--anything less than $50 is likely a poster. You should
expect to pay a similar amount to have the print framed--note that many
prints are designed to be exhibited without frames.

Before
art prints were sold online, the only way to get them was through
galleries or museum shops, which had to charge a large markup.
Nowadays, art prints rarely cost more than a few hundred dollars, and
it is possible to find good-quality prints for under $100. Still,
those lower prices generally come on prints that have been put on
sale. Expect to pay more for perennial favorites like Van Gogh's
"Starry Night".

Selection

There
is at least one print of every painting or photograph on display in a
museum anywhere. Thanks to the internet, you can find the right
art print among the tens of thousands in existence and have it sent to
you, regardless of where the original is located. Since websites
will let you browse thumbnail images of the artwork, it's easy to find
a particular piece even if all you know about it is the name of the
artist or even just the time period in which it was created.

Painting Print Media

Prints are available in a variety of print stocks.

Prints vs. Original Paintings

If
all you're interested in is a picture to decorate your wall, rather
than in collecting, prints are a better value than original
paintings. Here's why:

* Expense.
Creating an original work of art generally takes weeks. If you
had to employ someone for several weeks or several months, how much do
you think it would cost at even a modest salary? That's why
original artwork generally costs at least thousands of dollars.
In order to have a real chance of your work of art having investment
value, you need to buy the work of an artist who is moving up in the
art market.

* Questionable
investment value. Original artwork only has investment value if
the price goes up eventually. Very often, the price does
not. In short, if you're interested in investing, buy
stocks--it's a safer bet. Only buy art because *you* value it.

* Knowledge.
You need to be very knowledgeable about what you are doing. Make
no mistake: there's plenty of fraud in this business. There is
also plenty of wishful thinking on the part of art dealers when it
comes to a work's long-term market prospects

Ready
to make your home more beautiful with prints of great paintings?
You're already in the right place: the internet has numerous websites
offering an unbelievable array of art prints. Start looking now.

Joel Walsh has written a buying guide for art prints at: paintings [http://www.a1-paintings.com]:[http://www.a1-paintings.com]

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How to Create Abstract Art | In the Studio with Steven Sabados

Abstract painting - When we met

Acrylic Painting - Color Palette Basics

Today I am going to be talking about choosing your palette of colors, color mixing, and how I choose to apply my acrylics to my painting surface of choice.

I don't have a very extensive array of acrylic paints, but I think it is a lot of fun mixing colors. I think the color wheel is a good tool and starting off place for me (as well as for most artists, whether a beginner or professional), and experimentation is great fun and as artistic expression. I also read a lot of books and talk to a lot of artists to get hints and suggestions about everything from all directions. I think that is helpful to us all and I highly recommend it!

For starters, as a "color basis 101", I have been told to use black very sparingly, and I do. If I do use anything close to that, if is "Payne's Gray", but usually I like to mix complimentary colors for the darker areas and try to put lots of colors in my shadows. This really adds a lot of interest and beauty to your painting. Besides, if you are a true observer of nature you will notice that shadows are not black at all, but are made up of multiple and varied colors, values, and hues. Try to be a great observer!

I choose to paint with a pretty limited palette and mix my paints to achieve the effects that I want to achieve. This accomplishes several things. This will save you money (if that is a concern of yours) by limiting the number of tubes of paint you are required to purchase. This will teach you a lot about mixing paint to achieve the colors you require ( by referring to the color wheel). I feel that your colors are much more stunning and true to life by painting this way than using colors straight from the tube, anyway. I never use any colors directly from the tube anymore. And, by mixing your own colors, you will have a continuity through out your painting that can only be achieved in this way.

When working with a painting that will have a large amount of green in it, I like to first start out by placing a wash of red over the entire canvas (surface). Red being the complement of green "greys" down the green making it a more natural color in the end. This is a great tip to use when painting landscapes, etc. that will require a lot of greens, but that you don't want to have a harsh, or "kelly" green look to them. Another thing that I would definitely suggest is to mix your own greens (using blues and yellows) instead of a tube green - unless you go to a sap green or one of the already "greyed down" greens. Even those greens I mix with something else, I as said, previously.

I almost always like to do a wash on the surface before starting the painting as this does give a nice sense of cohesion to the painting. I have been told by a lot of artists that they feel the same way. Many times this is a complimentary color that will come shining through the subsequent layers of paint.

I usually start at the back of the painting and work toward the foreground saving the greater detail and stronger colors for the main subject and the aforementioned foreground area. When painting masses, such as muscles on an animal for example, these are usually darker areas and I start with these first when starting the subject. Then I work in many, many layers until finally reaching the lighter areas and highlights. My paintings always consist of multiple layers of glazes and/or washes - many times in the double digits - in order to achieve the effect that I wish to achieve.

Most importantly when working with colors, as with any aspect of painting, is to have fun with it! I think that if you do that it really comes through in your work. For examples of my acrylic paintings please visit http://www.hughbanksart.com I hope you can see that I have a passion about my work and that the "fun" I spoke of is coming through in my own pieces!

Debbie Hughbanks
http://www.hughbanksart.com/

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Paint with Kevin Hill - Hidden Lake

Acrylic Paintings

Acrylic paintings are relatively new as acrylic paint for painting was first introduced around 1950. Acrylic paint has now become an essential element of the arts and craft market. Many artists consider acrylic paint as a viable option for oil paints. Acrylic paints differ from the conventional oil paints in terms of their physical and chemical properties and thus necessitates special care of acrylic paintings.

Typically, acrylic paints are of two types, namely water-based and solvent-based. However, water-based acrylics are more popular among painters. Acrylic paints dry quickly as compared to oil paints and may hardly require half an hour for the entire painting to dry. Acrylic films are not very hard and may easily gather dust and grime.

Various types of additives, such as stabilizers, defoamers, coalescing solvents, thickeners, and preservatives, are added to the acrylic paint to produce the desired results.

The chances of acrylic paintings cracking are relatively low as the paint is flexible and can withstand pressure. However, acrylic paintings may become very brittle and crack in freezing temperatures. Sometimes acrylic paintings may develop a gray veil on the surface or form a yellow discoloration over a long period of time.

Since acrylic films are soft at room temperature, dust particles can settle on the surface and become mixed with the paint, resulting in stained paintings. Protective framing can combat this problem up to a certain extent. Varnishes can protect the paintings considerably from scratches and dust. Many artists do not like to varnish their paintings. Another major problem faced by acrylic painters is that of mold growth and as of now, no perfect solution has been devised for this problem.

There is a wide range of acrylic paints available in the market. It is imperative for acrylic painters to purchased superior quality products as poor quality paints fade easily when exposed to ultra violet light.

Regardless of high standards of care and maintenance, many artists continue to use acrylic paints because of their fast-drying quality and versatility.

Paintings [http://www.WetPluto.com/Abstract-Paintings.html] provides detailed information on Paintings, Oil Paintings, Famous Paintings, Abstract Paintings and more. Paintings is affiliated with Oil Paintings For Sale [http://www.WetPluto.com/Oil-Painting-Portraits.html].

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Israeli Painter Artist-Oil Paintings & Fine Art Prints Gallery

Painter Michael Khundiashvili is a recipient of National
and International Portrait Competitions Awards and Honors
and a Graduate of the acclaimed Academy for Fine Arts in Tbilisi Georgia. His works are in private and public Collections throughout the Russia, Canada, Israel, Georgia, USA and has been featured in several national publications.

http://www.michael-arts.com

Since 1987 he is a member of the association of Arts in the Soviet Union. In 1995 he immigrated to Israel and become a member of the Israeli painters and sculptors association.

A Master of Fine Arts, he has a strong belief in the Eternal Values offered to the artists by the Renaissance, which are:

Love and Respect for God's Creation, Appreciation of it's Harmony and Beauty without alterations.
Necessity of study for the Knowledge of the Human Anatomy, Perspective, Composition, Painting and Drawing Methods.
A Must of the Drawing Skill, based on that Knowledge.
The foundation of his painting philosophy is the pursuit of superb draftsmanship skills to ensure the integrity of the painting. Equally important is the creation of a dynamic and unified composition that invites the viewer in for closer inspection. Each painting is carefully thought out and a drawing is submitted for approval before the canvas is built.

With a desire to create distinguished portraits that speak to many, he searches to convey quiet, sensitive insight into the life of the sitter. His visual understanding is greatly enhanced by painting from life when possible.

"I feel profoundly blessed and grateful to God for the gift of painting, the ability to express my visions, filings and fantasies on canvas, to share it with others, and the opportunity to pursue a career I dearly love." - Michael Khundiashvili.

Michael Khundiashvili is a recipient of National and International Portrait Competitions Awards and Honors and a Graduate of the acclaimed Academy for Fine Arts in Tbilisi Georgia. His works are in private and public Collections throughout the Russia, Canada, Israel, Georgia, USA and has been featured in several national publications. Since 1987 he is a member of the association of Arts in the Soviet Union. In 1995 he immigrated to Israel and become a member of the Israeli painters and sculptors association. A Master of Fine Arts, he has a strong belief in the Eternal Values offered to the artists by the Renaissance, which are: Love and Respect for God's Creation, Appreciation of it's Harmony and Beauty without alterations. Necessity of study for the Knowledge of the Human Anatomy, Perspective, Composition, Painting and Drawing Methods. A Must of the Drawing Skill, based on that Knowledge.

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Feelings