Learning to paint fast is difficult. Some say it feels impossible...
But it doesn't have to be so hard...
Like all skills, whether in Arts, Crafts or any profession the trick is to remove complication. Watch any expert work and you will be amazed how quickly they make the impossible seem easy...
Think of a Blacksmith making horseshoes on his anvil...
He knows how to make the fire hot enough to make the metal soft without melting
He knows that every strike of his hammer will shape and mould the steel
He knows just how to trim the hoof to make the shoe fit
He never doubts his ability to give the horse he makes the shoes for exactly what is needed for comfort and wear
It is an honor to see a craftsman at work. It is a privilege to witness the accumulation of many years hands-on knowledge.
Learning to be an artist takes time. Learning to paint professionally can take many years...
The fastest way to learn to paint watercolors is to take it in small stages... starting simple and building painting skills with small steps.
The first step is to paint watercolor using 1 color... it can't get any simpler...
You learn how to thin watercolor paint with your brush
You learn how much water you need to get a certain tone of color
You learn how to use water to carry color pigment across your watercolor paper
You learn what can go wrong when you touch your wet paper with a brush full of color
You learn to expect surprises
You learn to want to encourage surprises by experimenting with new techniques
And, most importantly, you get the opportunity to learn to draw with your watercolor brush... You learn how to make your brush become your best friend.
When you use only 1 color to learn how to paint watercolors it is easy to concentrate...
You can quickly learn how to get color tone right
You soon learn that color will flood and spread across wet paper
You know that if an earlier wash is fully dry it will be spoiled if you let your next brush mark touch
You find yourself doing amazing things with watercolors fast because you don't have to worry about which colors you need to mix that favorite green, or the orange you saw in last night's sunset.
Learning how to paint watercolors using only 1 color helps you learn fast because you don't even need to worry about making mistakes...
It is quick and easy to do it again because you have kept it simple
You have perfected the basics of learning watercolor painting
Perfect the basics of watercolor painting and nothing can stop you from mastering the next stage... Learning How To Mix Colors.
Michael Dale is the author of 1- Color Is Best (the quick and easy way to learn to paint watercolor) and 3- Colors Are All You Need (mix any color you want fast using only 3 colors). Contact [http://www.Paint-And-Draw.com] to find out more.
Article Source: https://EzineArticles.com/expert/Michael_Dale/145082
Showing posts with label blend colors. Show all posts
Showing posts with label blend colors. Show all posts
Monday, January 13, 2020
Saturday, January 11, 2020
Monday, January 6, 2020
Saturday, January 4, 2020
Wednesday, January 1, 2020
Monday, December 30, 2019
Wednesday, December 25, 2019
Wednesday, December 18, 2019
Friday, December 13, 2019
Five Most Common Problems Beginner Painters Have
For people who are interested in learning how to paint with either acrylic or oil paint may experience a few common learning problems. These are the most common problems people have when they are learning how to paint. You can overcome these common problems with some basic knowledge and problem solving skills that will eventually get you past these difficulties.
There are five common problems beginner painters have:
1. Very little experience in drawing prior to learning how to paint.
You really need to have some knowledge or experience in beginning drawing before you ever pick up a paint brush. Using a pencil to draw is a lot easier skill than using a paint brush. You should have some basic knowledge about shapes, forms, lines, and values (shading) to enable you to understand how to manipulate colors in your paint. You need to take your time and not hurry through your drawing in order to get the composition of your picture placed in the most effective way in your picture. If you can draw out the picture in a sketch book prior to actually drawing it on your canvas; this will help to iron out any problems that may arise with your composition. Having some skill and practice at the drawing level will definitely help you have a more successful painting.
2. Not being organized from the beginning with how you set up your palette.
When you first learn how to paint you need to be organized with all your paint colors from the beginning. That means to set out your paints on your palette in the same order every time. Try to leave the most room on your palette for mixing your colors. You will have to mix just about every color you use to paint with so you need to have room on your palette for these color mixtures. As a beginner, you will be using trial and error to get the color you want and this will take time and practice to learn which colors you need to mix together to get what you want. If you put your paints out all over your palette with no apparent order, you will not have any room for mixing and will end up having to clean off your palette and starting with a clean palette.
3. Not putting enough paint on your palette the first time.
Many beginner painters will squeeze out a tiny bit of paint on their palette and find that they run out of that particular color rather rapidly and need to get more from the tube again. This can be a problem when you are using that particular color to mix with to make another color with. Don't be stingy with the paint, it is OK to squeeze out a generous amount of paint onto the palette. The paint will stay moist for several days (especially if you put it in the refrigerator) You will use up the paint eventually.
4. Brush work problems of over-doing the brush strokes,
Another common problem beginner painters have is they repeatedly paint over the same area inadvertently ending up with mud. There is a tendency to keep on stroking the same area in the hope it will magically change into something they are trying to do. Unfortunately painting doesn't work that way. Each paint stroke needs to be thought out carefully and done in a way that will not interfere with the other colors. Some of the color do not go together well and this may be the cause of the "mud" in the end. It is very frustrating for the beginner painter to encounter this problem. It is a matter of learning the color theory and learning more skill at handling the paint brush. This comes with time and experience.
5. Forgetting to clean the paint brush frequently and especially between colors.
It is vital to clean your brush frequently while you are painting. Especially when changing to a different color. For a beginning painter it is very easy to forget to clean the brush and accidentally contaminate one of your lighter colors with a previous darker color you were using. This can happen either on the palette or on the canvas. If it happens on the canvas it can sometimes be difficult to fix the area, you may have to just wipe the area off and start again. Even if you don't clean your brush off in the turp solvent, you can still just wipe it off on a paper towel or a rag and that will help.
Article Source: https://EzineArticles.com/expert/Marilou_O'Loughlin/208858
There are five common problems beginner painters have:
1. Very little experience in drawing prior to learning how to paint.
You really need to have some knowledge or experience in beginning drawing before you ever pick up a paint brush. Using a pencil to draw is a lot easier skill than using a paint brush. You should have some basic knowledge about shapes, forms, lines, and values (shading) to enable you to understand how to manipulate colors in your paint. You need to take your time and not hurry through your drawing in order to get the composition of your picture placed in the most effective way in your picture. If you can draw out the picture in a sketch book prior to actually drawing it on your canvas; this will help to iron out any problems that may arise with your composition. Having some skill and practice at the drawing level will definitely help you have a more successful painting.
2. Not being organized from the beginning with how you set up your palette.
When you first learn how to paint you need to be organized with all your paint colors from the beginning. That means to set out your paints on your palette in the same order every time. Try to leave the most room on your palette for mixing your colors. You will have to mix just about every color you use to paint with so you need to have room on your palette for these color mixtures. As a beginner, you will be using trial and error to get the color you want and this will take time and practice to learn which colors you need to mix together to get what you want. If you put your paints out all over your palette with no apparent order, you will not have any room for mixing and will end up having to clean off your palette and starting with a clean palette.
3. Not putting enough paint on your palette the first time.
Many beginner painters will squeeze out a tiny bit of paint on their palette and find that they run out of that particular color rather rapidly and need to get more from the tube again. This can be a problem when you are using that particular color to mix with to make another color with. Don't be stingy with the paint, it is OK to squeeze out a generous amount of paint onto the palette. The paint will stay moist for several days (especially if you put it in the refrigerator) You will use up the paint eventually.
4. Brush work problems of over-doing the brush strokes,
Another common problem beginner painters have is they repeatedly paint over the same area inadvertently ending up with mud. There is a tendency to keep on stroking the same area in the hope it will magically change into something they are trying to do. Unfortunately painting doesn't work that way. Each paint stroke needs to be thought out carefully and done in a way that will not interfere with the other colors. Some of the color do not go together well and this may be the cause of the "mud" in the end. It is very frustrating for the beginner painter to encounter this problem. It is a matter of learning the color theory and learning more skill at handling the paint brush. This comes with time and experience.
5. Forgetting to clean the paint brush frequently and especially between colors.
It is vital to clean your brush frequently while you are painting. Especially when changing to a different color. For a beginning painter it is very easy to forget to clean the brush and accidentally contaminate one of your lighter colors with a previous darker color you were using. This can happen either on the palette or on the canvas. If it happens on the canvas it can sometimes be difficult to fix the area, you may have to just wipe the area off and start again. Even if you don't clean your brush off in the turp solvent, you can still just wipe it off on a paper towel or a rag and that will help.
Article Source: https://EzineArticles.com/expert/Marilou_O'Loughlin/208858
Wednesday, November 20, 2019
Monday, November 18, 2019
Wednesday, November 6, 2019
Wednesday, October 30, 2019
Monday, October 14, 2019
Monday, October 7, 2019
Saturday, October 5, 2019
Monday, September 30, 2019
A Rose Grows in Rehab - Using Watercolors as a Healing Tool
As a visual artist, I am always discovering ways that art can be used to enhance the lives of others. One of those ways is to aid in the healing of those mentally or physically ill.
My Tools
This year I started traveling with a small watercolor kit. The size of the kit is a "4x6" block. I also use the Strathmore blank post cards. The imperial watercolor paper works well for this kind of thing.
I went to a physical rehabilitation facility on a Monday evening equipped with these tools. The woman and friend I was visiting was in her seventies and recovering from surgery on her neck.
After we chatted for a while, I asked her if she would like a picture for her room. Her answer was a resounding YES. I should note that she already had an assortment of my prints in her home. Consequently, it was not a hard to convince her to allow me to paint.
My wife entertained her with a modern day version of a familiar bible story while I worked. I drew the rose first and completed it with the watercolors in her favorite color-Yellow. This enabled me to complete the work quickly.
When the rose was completed, this woman with hands still fighting for mobility reached out to touch the painting. Her face glowed as she looked with awe at her picture. I signed it and wrote a note of encouragement before I hung it where she could see it at all times.
Her roommate then begged me to paint a picture for her also. I did.
I am convinced, as many artists reading this will agree that artists must constantly work on their craft. Therefore, if you work on your art while visiting someone it can be a win-win situation.
Please know that I AM NOT SUGGESTING THAT YOU GIVE AWAY YOUR MASTERPIECES. However, believe that the person who is ill will see what ever you can contribute as a masterpiece. You will also be donating your time and healing concern. Isn't that what art is all about?
Lets all keep working to bring healing art to the world.
Ray Horner is a fine artist, inspirational speaker and art instructor
http://www.hornerartworkshop.com
Article Source: https://EzineArticles.com/expert/Raymond_Horner/63539
My Tools
This year I started traveling with a small watercolor kit. The size of the kit is a "4x6" block. I also use the Strathmore blank post cards. The imperial watercolor paper works well for this kind of thing.
I went to a physical rehabilitation facility on a Monday evening equipped with these tools. The woman and friend I was visiting was in her seventies and recovering from surgery on her neck.
After we chatted for a while, I asked her if she would like a picture for her room. Her answer was a resounding YES. I should note that she already had an assortment of my prints in her home. Consequently, it was not a hard to convince her to allow me to paint.
My wife entertained her with a modern day version of a familiar bible story while I worked. I drew the rose first and completed it with the watercolors in her favorite color-Yellow. This enabled me to complete the work quickly.
When the rose was completed, this woman with hands still fighting for mobility reached out to touch the painting. Her face glowed as she looked with awe at her picture. I signed it and wrote a note of encouragement before I hung it where she could see it at all times.
Her roommate then begged me to paint a picture for her also. I did.
I am convinced, as many artists reading this will agree that artists must constantly work on their craft. Therefore, if you work on your art while visiting someone it can be a win-win situation.
Please know that I AM NOT SUGGESTING THAT YOU GIVE AWAY YOUR MASTERPIECES. However, believe that the person who is ill will see what ever you can contribute as a masterpiece. You will also be donating your time and healing concern. Isn't that what art is all about?
Lets all keep working to bring healing art to the world.
Ray Horner is a fine artist, inspirational speaker and art instructor
http://www.hornerartworkshop.com
Article Source: https://EzineArticles.com/expert/Raymond_Horner/63539
Friday, September 27, 2019
Oil Painting Techniques - The Many Ways to Apply Oil Paint
Oil paint is one of the most versatile and adaptable painting mediums in existence today. There are many techniques and effects possible with oil paint. Oil paint can be applied in thin transparent glazes or washes, or the paint can be mixed to a thick buttery consistency and applied using a painting knife. There really appears to be no end to the wonderful ways you can create art with this amazing painting medium. This article will talk about some of the many ways you can use oil paint.
Dry brush
The dry brush technique involves using a small amount of oil paint straight from the tube. It is then brushed thinly onto your support with a bristle brush. This technique works particularly well with a rough surface. The raised parts of your surface pick up the paint, while the dips or valleys in your support do not. This creates a broken color effect where the color of your canvas shows through.
Painting On A Toned Ground
The white of a canvas can sometimes be too bright or have too much contrast which makes starting a painting a bit difficult. When you cover your support with a uniform toned ground, it makes it much easier to judge the values in your painting. You can use any color you like to tone your ground really, but the more popular approach is to use warm tones of red, yellows and browns, which provide a wonderful richness to the finished work.
Here is an example of how to paint on a toned ground using Burnt Umber and Yellow Ochre. First you create the wash by mixing the Burnt Umber and Yellow Ochre together with a paint thinner (use turpentine, or if you are like me, and are allergic to turpentine, use a water soluble oil paint). Apply the mixture generously to your support and completely cover it with a large bristle brush. Let this mixture stand for a couple of minutes and then wipe off the excess wash with a cloth.
Alla Prima Painting
Alla Prima painting, also known as "direct painting", is a technique of oil painting where the work is usually finished in just one sitting. You are probably familiar with the artist Bob Ross, who made this painting method quite popular on his TV Show. I am sure like me, you watched Bob paint in amazement as he completed a beautiful painting in under 30 mintues.
The paint is applied wet onto wet directly onto the canvas usually with no underpainting or sketches. It might be a good idea in the beginning to lay down a sketch with some thinned down oil paint. This way you will have a general idea where your colors will be placed. You must be careful using this technique as your painting can become quite muddy if you do not apply the colors correctly on your canvas. It takes practice, so don't be discouraged if your first, second or even third painting does not come out the way you anticipated. Keep practicing and let your imagination run wild. As Bob used to say, "It's Your World".
Working With Painting Knives
If you have never worked with painting knives, then it is highly recommended that you give them a try. This type of painting method is very different from traditional brush painting and when you lay down your first stroke of paint with a painting knife, you will immediately see why. Painting with a knife can be best described as spreading butter on a piece of bread and you should keep your painting at a butter or cream like consistency when using painting knives. Do not use your palette knives to paint with. They have a different construction and are not made for painting. Painting knives have more flexibility to them and come in a variety of different shapes and sizes. You can manipulate paint in a variety of different ways with a knife just by changing your hand position on the handle. You can hold your hand down low on the handle to smear the paint over your support. Move your hand up to the top of the handle and you can use your finger to gently push the blade into the paint to create small dabs of color. You can also turn your knife blade on its side for scraping away paint or for creating hard lines.
Glazing
If you never produced a painting using the glazing technique, then you should definitely give this a try as well. Your painting will have a different appearance then if you were to complete a painting using traditional color mixing techniques. Glazing tends to give colors more luminescence. The colors are not mixed together first before applying, rather, they are mixed optically using single transparent layers of color. For instance, if you wanted to create the color green using glazes, you would not mix yellow and blue together on your palette first. You would first apply a thin glaze of blue, wait until it dries, then apply a thin glaze of yellow, which would then create your green. Each layer must be completely dry before applying subsequent layers. Usually, the first step in using the glazing technique is to create a monochromatic (different values of the same color) underpainting of the subject. Using only one color will help you to focus on form and tone first, rather than being too preoccupied with color at this stage. Wait until your under painting is dry to begin applying your first layer of color. This technique is tricky and does require practice, but it is not as difficult as some may lead you to believe.
For more oil painting lessons and techniques be sure to visit Creative Spotlite today, a free online community for artists and crafters. It is also recommended that you visit the Creative Spotlite Art Instruction Blog, where you will find more painting lessons including step by step painting videos.
Article Source: http://EzineArticles.com/667306
Dry brush
The dry brush technique involves using a small amount of oil paint straight from the tube. It is then brushed thinly onto your support with a bristle brush. This technique works particularly well with a rough surface. The raised parts of your surface pick up the paint, while the dips or valleys in your support do not. This creates a broken color effect where the color of your canvas shows through.
Painting On A Toned Ground
The white of a canvas can sometimes be too bright or have too much contrast which makes starting a painting a bit difficult. When you cover your support with a uniform toned ground, it makes it much easier to judge the values in your painting. You can use any color you like to tone your ground really, but the more popular approach is to use warm tones of red, yellows and browns, which provide a wonderful richness to the finished work.
Here is an example of how to paint on a toned ground using Burnt Umber and Yellow Ochre. First you create the wash by mixing the Burnt Umber and Yellow Ochre together with a paint thinner (use turpentine, or if you are like me, and are allergic to turpentine, use a water soluble oil paint). Apply the mixture generously to your support and completely cover it with a large bristle brush. Let this mixture stand for a couple of minutes and then wipe off the excess wash with a cloth.
Alla Prima Painting
Alla Prima painting, also known as "direct painting", is a technique of oil painting where the work is usually finished in just one sitting. You are probably familiar with the artist Bob Ross, who made this painting method quite popular on his TV Show. I am sure like me, you watched Bob paint in amazement as he completed a beautiful painting in under 30 mintues.
The paint is applied wet onto wet directly onto the canvas usually with no underpainting or sketches. It might be a good idea in the beginning to lay down a sketch with some thinned down oil paint. This way you will have a general idea where your colors will be placed. You must be careful using this technique as your painting can become quite muddy if you do not apply the colors correctly on your canvas. It takes practice, so don't be discouraged if your first, second or even third painting does not come out the way you anticipated. Keep practicing and let your imagination run wild. As Bob used to say, "It's Your World".
Working With Painting Knives
If you have never worked with painting knives, then it is highly recommended that you give them a try. This type of painting method is very different from traditional brush painting and when you lay down your first stroke of paint with a painting knife, you will immediately see why. Painting with a knife can be best described as spreading butter on a piece of bread and you should keep your painting at a butter or cream like consistency when using painting knives. Do not use your palette knives to paint with. They have a different construction and are not made for painting. Painting knives have more flexibility to them and come in a variety of different shapes and sizes. You can manipulate paint in a variety of different ways with a knife just by changing your hand position on the handle. You can hold your hand down low on the handle to smear the paint over your support. Move your hand up to the top of the handle and you can use your finger to gently push the blade into the paint to create small dabs of color. You can also turn your knife blade on its side for scraping away paint or for creating hard lines.
Glazing
If you never produced a painting using the glazing technique, then you should definitely give this a try as well. Your painting will have a different appearance then if you were to complete a painting using traditional color mixing techniques. Glazing tends to give colors more luminescence. The colors are not mixed together first before applying, rather, they are mixed optically using single transparent layers of color. For instance, if you wanted to create the color green using glazes, you would not mix yellow and blue together on your palette first. You would first apply a thin glaze of blue, wait until it dries, then apply a thin glaze of yellow, which would then create your green. Each layer must be completely dry before applying subsequent layers. Usually, the first step in using the glazing technique is to create a monochromatic (different values of the same color) underpainting of the subject. Using only one color will help you to focus on form and tone first, rather than being too preoccupied with color at this stage. Wait until your under painting is dry to begin applying your first layer of color. This technique is tricky and does require practice, but it is not as difficult as some may lead you to believe.
For more oil painting lessons and techniques be sure to visit Creative Spotlite today, a free online community for artists and crafters. It is also recommended that you visit the Creative Spotlite Art Instruction Blog, where you will find more painting lessons including step by step painting videos.
Article Source: http://EzineArticles.com/667306
Sunday, September 22, 2019
Acrylic Painting Techniques
The acrylic painting medium is a fairly new addition to the various painting mediums available to today's artists. It has been around since the 1950's and has been continually under development and refinement ever since.
Acrylic paint is highly favored amongst artists because of its wonderful versatility. It can be applied thickly as an impasto having rich texture or in washes mimicking the characteristics of watercolor.
Another likable characteristic of acrylic paint is its permanence. Acrylic paint is not susceptible to yellowing or hardening with age. With acrylic paint, the artist does not need to be concerned with the order the paint is applied or other special techniques that ensure the paint film remains free from cracking. So it can be said that acrylic paint is much easier to use than oil paint.
Yet another characteristic that invites new artists to this medium is its fast drying time. Since acrylic paint dries so quickly, colors can be applied and overlaid quicker than with oil painting.
There are however a few downsides to the quick drying time of acrylic paints:
1) The paint will not remain workable for very long, so you have to work quickly.
2) The fast drying time of acrylics can also ruin brushes if the brushes are not cleaned immediately.
3) Acrylic paint is not the best medium for direct painting outdoors, especially on a bright sunny day. Whatever paint you put out on your palette will begin to dry quickly and form a skin over the surface of the paint making it very difficult to work with.
Watercolor Effects
Acrylic paint works wonderfully as a transparent medium, similar to watercolor. Acrylics do have an advantage over watercolors. You can lay out a number of thin washes over one another without fear of disturbing the colors underneath. You must wait for one layer to dry completely before applying another of course. Once each layer dries it becomes insoluble in water. The only disadvantage to using acrylics as a watercolor medium is the difficulty in modifying the color. Once acrylic paint begins to dry it becomes rather difficult to work with. One of the biggest problems is the tendency for washes to dry with unwanted hard edges. You can avoid this problem in one of two ways. You can either dampen the paper before the paint is applied or you can use an additional brush dampened with water. Use one brush to apply the paint and immediately soften the edge with the other brush that has been dampened with the water.
Blending Opaque Colors
With watercolor effects, the acrylic paint is applied in transparent washes. With the opaque technique the paint layers are non-transparent. Blending opaque acrylic colors can be a bit tricky as you are kind of pressed for time. It is important therefore to only work on areas that you know you will have enough time to blend. To blend two colors, first paint a block of each color side by side on your support. Where the two colors join paint down that line with a clean damp brush to soften the edges. To blend the colors even further, move the blending brush from side to side or up and down, until the desired blending is achieved.
Sgraffito Technique
Sgraffito is a scratching technique. It got its name from the Italian word graffiare which literally means to scratch. Just as the name implies it involves scratching into the surface of the wet paint which reveals either the ground or layer of dry color underneath. There are a number of different tools that can be used for this technique. Tools like screwdrivers or the sharpened end of an old paintbrush handle should suffice. It really depends on the support you are using. For instance, a screwdriver may not be the best tool if you are using a panel as a support. The hard metal may damage the panel, so you would need to use a softer tool.
Using a Squeegee
A regular squeegee that you can purchase at any hardware or auto store can create some interesting effects when used with acrylic paint. First you would squeeze out some paint blobs directly along one edge of your support. You can layout whatever colors you wish. Then with one fluid motion you would drag the paint across the support with your squeegee, which will smear and mix the paint and create some very unique and interesting designs. You may need to alter your squeegee a bit as the rubber blade that comes with most squeegees may not be rigid enough to drag the paint. You can remove the rubber blade and in its place glue in a regular wooden ruler. This will give you a flat sturdy edge to manipulate the paint.
I hope you have enjoyed this article on acrylic painting techniques. Take some time today to experiment with these techniques and have fun. Happy Painting!
Ralph Serpe is webmaster and founder of Creative Spotlite, a free arts and crafts community. For more free art lessons like this, visit: http://www.creativespotlite.com today. Visit our blog, http://www.artinstructionblog.com as well for even more free art instruction.
Article Source: https://EzineArticles.com/expert/Ralph_Serpe/18025
Article Source: http://EzineArticles.com/605051
Acrylic paint is highly favored amongst artists because of its wonderful versatility. It can be applied thickly as an impasto having rich texture or in washes mimicking the characteristics of watercolor.
Another likable characteristic of acrylic paint is its permanence. Acrylic paint is not susceptible to yellowing or hardening with age. With acrylic paint, the artist does not need to be concerned with the order the paint is applied or other special techniques that ensure the paint film remains free from cracking. So it can be said that acrylic paint is much easier to use than oil paint.
Yet another characteristic that invites new artists to this medium is its fast drying time. Since acrylic paint dries so quickly, colors can be applied and overlaid quicker than with oil painting.
There are however a few downsides to the quick drying time of acrylic paints:
1) The paint will not remain workable for very long, so you have to work quickly.
2) The fast drying time of acrylics can also ruin brushes if the brushes are not cleaned immediately.
3) Acrylic paint is not the best medium for direct painting outdoors, especially on a bright sunny day. Whatever paint you put out on your palette will begin to dry quickly and form a skin over the surface of the paint making it very difficult to work with.
Watercolor Effects
Acrylic paint works wonderfully as a transparent medium, similar to watercolor. Acrylics do have an advantage over watercolors. You can lay out a number of thin washes over one another without fear of disturbing the colors underneath. You must wait for one layer to dry completely before applying another of course. Once each layer dries it becomes insoluble in water. The only disadvantage to using acrylics as a watercolor medium is the difficulty in modifying the color. Once acrylic paint begins to dry it becomes rather difficult to work with. One of the biggest problems is the tendency for washes to dry with unwanted hard edges. You can avoid this problem in one of two ways. You can either dampen the paper before the paint is applied or you can use an additional brush dampened with water. Use one brush to apply the paint and immediately soften the edge with the other brush that has been dampened with the water.
Blending Opaque Colors
With watercolor effects, the acrylic paint is applied in transparent washes. With the opaque technique the paint layers are non-transparent. Blending opaque acrylic colors can be a bit tricky as you are kind of pressed for time. It is important therefore to only work on areas that you know you will have enough time to blend. To blend two colors, first paint a block of each color side by side on your support. Where the two colors join paint down that line with a clean damp brush to soften the edges. To blend the colors even further, move the blending brush from side to side or up and down, until the desired blending is achieved.
Sgraffito Technique
Sgraffito is a scratching technique. It got its name from the Italian word graffiare which literally means to scratch. Just as the name implies it involves scratching into the surface of the wet paint which reveals either the ground or layer of dry color underneath. There are a number of different tools that can be used for this technique. Tools like screwdrivers or the sharpened end of an old paintbrush handle should suffice. It really depends on the support you are using. For instance, a screwdriver may not be the best tool if you are using a panel as a support. The hard metal may damage the panel, so you would need to use a softer tool.
Using a Squeegee
A regular squeegee that you can purchase at any hardware or auto store can create some interesting effects when used with acrylic paint. First you would squeeze out some paint blobs directly along one edge of your support. You can layout whatever colors you wish. Then with one fluid motion you would drag the paint across the support with your squeegee, which will smear and mix the paint and create some very unique and interesting designs. You may need to alter your squeegee a bit as the rubber blade that comes with most squeegees may not be rigid enough to drag the paint. You can remove the rubber blade and in its place glue in a regular wooden ruler. This will give you a flat sturdy edge to manipulate the paint.
I hope you have enjoyed this article on acrylic painting techniques. Take some time today to experiment with these techniques and have fun. Happy Painting!
Ralph Serpe is webmaster and founder of Creative Spotlite, a free arts and crafts community. For more free art lessons like this, visit: http://www.creativespotlite.com today. Visit our blog, http://www.artinstructionblog.com as well for even more free art instruction.
Article Source: https://EzineArticles.com/expert/Ralph_Serpe/18025
Article Source: http://EzineArticles.com/605051
Saturday, September 21, 2019
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