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Showing posts with label art restore. Show all posts
Showing posts with label art restore. Show all posts
Saturday, February 15, 2020
Friday, February 14, 2020
Experts Conclude That This Odd Self-Portrait of Vincent van Gogh Giving the Side Eye Really Is by the Dutch Master
Leading experts on Vincent van Gogh have concluded that a strange portrait belonging to a Norwegian museum is actually an authentic work by the Dutch master. Extensive research conducted by the Van Gogh Museum in Amsterdam has shown that the artist executed the unusual self-portrait while he was suffering from psychosis.
The painting, from 1889, has been in the collection of Oslo’s Nasjonalmuseet since 1910, but its attribution to Van Gogh has been openly disputed since 1970. Over the years, some scholars took issue with crucial missing provenance details, while others deemed its style and dreary color palette out of key with the rest of the artist’s oeuvre.
While provenance research carried out at the Najonalmuseet in 2006 showed that the work had belonged to two friends of Van Gogh, Joseph and Marie Gioux, who lived in Arles, it was still unclear when the couple received the work. And, for a long time, experts couldn’t agree on a date of execution, or whether it was done in Arles, Saint-Rémy-de-Provence, or Auvers-sur-Oise.
In a bid to settle the matter once and for all, the museum invited the experts in Amsterdam to study the portrait in 2014. Now, after comprehensive inspection of its style, technique, material, and provenance, researchers have concluded that it is “unmistakeably” by Van Gogh’s hand.
The work turns out to be the only one that can be tied to a letter Van Gogh wrote to his brother Theo on September 20, 1889. What’s more, the letter proves that the work is actually a significant one, executed while the artist was having his first major psychotic episode at an asylum in Saint-Rémy. In his letter, Van Gogh describes it as “an attempt from when I was ill.” It is the only known work painted by the artist when he was in the throes of psychosis.
“Although Van Gogh was frightened to admit at that point that he was in a similar state to his fellow residents at the asylum, he probably painted this portrait to reconcile himself with what he saw in the mirror: a person he did not wish to be, yet was,” Louis van Tilborgh, a senior researcher at the Van Gogh Museum and an art historian at the University of Amsterdam, says in a statement. “This is part of what makes the painting so remarkable and even therapeutic.”
In mid-July of that year, Van Gogh entered a state of psychosis that lasted until September. At the end of the summer, in a letter dated August 22, he wrote that he was still “disturbed” but was well enough to experiment with painting again. This led experts to conclude that the work was done after August 22 but before September, and it therefore predates both of his famous 1889 self portraits in Washington’s National Gallery of Art and the Musée d’Orsay in Paris.
The work shows Van Gogh looking defeated, head slightly bowed and gazing sideways at the viewer with a lifeless expression. While the brownish-green pigments and somber palette seemed unusual for the artist who is known for his bright blues and yellows, the palette and brushwork are actually consistent with other works dating from the summer and autumn of 1889, which make sense within the context of the work’s execution.
The work is currently on view on the third floor of the Van Gogh Museum, and will be included in the museum’s upcoming exhibition of artists’s portraits, “In the Picture,” beginning February 21. After the exhibition closes in May, the work will return to Oslo where the Nasjonalmuseet is slated to reopen after renovations in 2021.
Original Article: Here
The painting, from 1889, has been in the collection of Oslo’s Nasjonalmuseet since 1910, but its attribution to Van Gogh has been openly disputed since 1970. Over the years, some scholars took issue with crucial missing provenance details, while others deemed its style and dreary color palette out of key with the rest of the artist’s oeuvre.
While provenance research carried out at the Najonalmuseet in 2006 showed that the work had belonged to two friends of Van Gogh, Joseph and Marie Gioux, who lived in Arles, it was still unclear when the couple received the work. And, for a long time, experts couldn’t agree on a date of execution, or whether it was done in Arles, Saint-Rémy-de-Provence, or Auvers-sur-Oise.
In a bid to settle the matter once and for all, the museum invited the experts in Amsterdam to study the portrait in 2014. Now, after comprehensive inspection of its style, technique, material, and provenance, researchers have concluded that it is “unmistakeably” by Van Gogh’s hand.
The work turns out to be the only one that can be tied to a letter Van Gogh wrote to his brother Theo on September 20, 1889. What’s more, the letter proves that the work is actually a significant one, executed while the artist was having his first major psychotic episode at an asylum in Saint-Rémy. In his letter, Van Gogh describes it as “an attempt from when I was ill.” It is the only known work painted by the artist when he was in the throes of psychosis.
“Although Van Gogh was frightened to admit at that point that he was in a similar state to his fellow residents at the asylum, he probably painted this portrait to reconcile himself with what he saw in the mirror: a person he did not wish to be, yet was,” Louis van Tilborgh, a senior researcher at the Van Gogh Museum and an art historian at the University of Amsterdam, says in a statement. “This is part of what makes the painting so remarkable and even therapeutic.”
In mid-July of that year, Van Gogh entered a state of psychosis that lasted until September. At the end of the summer, in a letter dated August 22, he wrote that he was still “disturbed” but was well enough to experiment with painting again. This led experts to conclude that the work was done after August 22 but before September, and it therefore predates both of his famous 1889 self portraits in Washington’s National Gallery of Art and the Musée d’Orsay in Paris.
The work shows Van Gogh looking defeated, head slightly bowed and gazing sideways at the viewer with a lifeless expression. While the brownish-green pigments and somber palette seemed unusual for the artist who is known for his bright blues and yellows, the palette and brushwork are actually consistent with other works dating from the summer and autumn of 1889, which make sense within the context of the work’s execution.
The work is currently on view on the third floor of the Van Gogh Museum, and will be included in the museum’s upcoming exhibition of artists’s portraits, “In the Picture,” beginning February 21. After the exhibition closes in May, the work will return to Oslo where the Nasjonalmuseet is slated to reopen after renovations in 2021.
Original Article: Here
Monday, February 10, 2020
Pierre Bonnard - The Splendid French Painter: By Annette Labedzki
One of the most renowned French painters & printmakers, Pierre Bonnard was especially famous for his ingenious experimentation with color. He though, was not revolutionary in his style of painting, but he definitely was a master in portraying human emotions through colors. His fluency with colors fetched critical acclaim and appreciation from all art lovers.
Pierre Bonnard was born on October 03, 1867, in Fontenay-aux-Roses near Paris, to a highly placed French Ministry official. His childhood was therefore, spent in luxury and accordingly he had a very careless and idyllic youth. Due to parental pressure, Bonnard graduated in law and practiced briefly. He however, was always interested in art and took extra courses for the same during his free time. On March 11, 1887, he enrolled at the Scole des Beaux-Arts and resolved to be a full time artist.
In his youth, Pierre Bonnard co-founded a group of young 'Symbolic' and 'Spiritual' artists, called Les Nabis. He exhibited his works as a Nabi in the Gallery of Le Barc de Boutteville. During this phase, he heavily experimented with patterns in textile & furniture, while also exhibiting a Japanese effect in his work. His friends even lovingly called him 'a highly Nipponized Nabi.' In March and April 1891, Pierre first exhibited his work at the Société des Artistes Independants, gathering the much-needed support from all art critics. From then on, he exhibited yearly with the society.
In 1893, Pierre married Marthe de Méligny, who later modeled for a majority of his paintings. He obsessively portrayed her in her routine activities, stretching up to covering her nude. His works post marriage, therefore, turned quite personal in essence. Some of the famous paintings of those times include "Indolence" (1899) and "Man and Woman" (1900). In 1896, he had his first solo show at Galerie Durand-Ruel. Here, the great French artist Toulouse-Lautrec appreciated his award- winning poster. In 1910, Pierre left Paris for Southern France.
All the while, the painting range of the artist spanned from portraits to still life and landscapes. Bonnard would transform the mundane, simplest day-to-day objects into vibrating, iridescent, faintly represented subjects in his paintings. Small brush strokes imparted a marked influence of 'Surreal' mystery in them. The distinctive thing about Bonnard's paintings was the genuine time warp in them. The same objects in the room, such as tablecloths, teapots, and platters, rotated through the paintings. The subjects looked faint, creating a bizarre mystery. Some such renowned paintings are "The White Interior" (1932), "Still Life with Fruit" (1936), "The Dining Room in the Country" (1913), "Woman in Front of a Mirror" (1908), and "The Terrasse Family" (1902).
The artist died on January 23, 1947, leaving behind a great legacy of art. Pierre's passion for art is evident in his use of color with much vivacity and emotions. In 1998, his works were exhibited in the Metropolitan Museum of Art. The series of his paintings was titled, "Pierre Bonnard: The Late Interiors." He once quoted, "Before you add color, you must see things once, or see them a thousand times."
Annette Labedzki received her BFA at the Emily Carr College of Art and Design in Vancouver, B.C. Canada. She has more than 25 years experience. She is the founder and developer of an online art gallery featuring original art from all over the world. It is a great site for art collectors to buy original art. Is is also a venue for artists to display and sell their art . Artists can join for free and their image upload is unlimited. Please visit the website at http://www.Labedzki-Art.com
Annette has bonus offers on her work only. Buy 3 small paintings of any size (maximum size 11x17 inches) and receive 3 small paintings of your choice for free (maximum size 11x17 inches) SHIPPING IS FREE Buy one large painting (minimum size 18x24 inches) receive 5 small paintings of your choice (maximum size 11x17 inches) FOR FREE. SHIPPING IS FREE.
Please feel free to subscribe to her newsletter at http://www.Labedzki-Art.com
Article Source: https://EzineArticles.com/expert/Annette_Labedzki/252070
Photo: Here
Pierre Bonnard was born on October 03, 1867, in Fontenay-aux-Roses near Paris, to a highly placed French Ministry official. His childhood was therefore, spent in luxury and accordingly he had a very careless and idyllic youth. Due to parental pressure, Bonnard graduated in law and practiced briefly. He however, was always interested in art and took extra courses for the same during his free time. On March 11, 1887, he enrolled at the Scole des Beaux-Arts and resolved to be a full time artist.
In his youth, Pierre Bonnard co-founded a group of young 'Symbolic' and 'Spiritual' artists, called Les Nabis. He exhibited his works as a Nabi in the Gallery of Le Barc de Boutteville. During this phase, he heavily experimented with patterns in textile & furniture, while also exhibiting a Japanese effect in his work. His friends even lovingly called him 'a highly Nipponized Nabi.' In March and April 1891, Pierre first exhibited his work at the Société des Artistes Independants, gathering the much-needed support from all art critics. From then on, he exhibited yearly with the society.
In 1893, Pierre married Marthe de Méligny, who later modeled for a majority of his paintings. He obsessively portrayed her in her routine activities, stretching up to covering her nude. His works post marriage, therefore, turned quite personal in essence. Some of the famous paintings of those times include "Indolence" (1899) and "Man and Woman" (1900). In 1896, he had his first solo show at Galerie Durand-Ruel. Here, the great French artist Toulouse-Lautrec appreciated his award- winning poster. In 1910, Pierre left Paris for Southern France.
All the while, the painting range of the artist spanned from portraits to still life and landscapes. Bonnard would transform the mundane, simplest day-to-day objects into vibrating, iridescent, faintly represented subjects in his paintings. Small brush strokes imparted a marked influence of 'Surreal' mystery in them. The distinctive thing about Bonnard's paintings was the genuine time warp in them. The same objects in the room, such as tablecloths, teapots, and platters, rotated through the paintings. The subjects looked faint, creating a bizarre mystery. Some such renowned paintings are "The White Interior" (1932), "Still Life with Fruit" (1936), "The Dining Room in the Country" (1913), "Woman in Front of a Mirror" (1908), and "The Terrasse Family" (1902).
The artist died on January 23, 1947, leaving behind a great legacy of art. Pierre's passion for art is evident in his use of color with much vivacity and emotions. In 1998, his works were exhibited in the Metropolitan Museum of Art. The series of his paintings was titled, "Pierre Bonnard: The Late Interiors." He once quoted, "Before you add color, you must see things once, or see them a thousand times."
Annette Labedzki received her BFA at the Emily Carr College of Art and Design in Vancouver, B.C. Canada. She has more than 25 years experience. She is the founder and developer of an online art gallery featuring original art from all over the world. It is a great site for art collectors to buy original art. Is is also a venue for artists to display and sell their art . Artists can join for free and their image upload is unlimited. Please visit the website at http://www.Labedzki-Art.com
Annette has bonus offers on her work only. Buy 3 small paintings of any size (maximum size 11x17 inches) and receive 3 small paintings of your choice for free (maximum size 11x17 inches) SHIPPING IS FREE Buy one large painting (minimum size 18x24 inches) receive 5 small paintings of your choice (maximum size 11x17 inches) FOR FREE. SHIPPING IS FREE.
Please feel free to subscribe to her newsletter at http://www.Labedzki-Art.com
Article Source: https://EzineArticles.com/expert/Annette_Labedzki/252070
Photo: Here
Saturday, February 8, 2020
Monday, February 3, 2020
Oil Painter - Few Amazing Tips to Become Good Oil Painter: By Murtaza Habib
Oil paint contains a unique process and an artist has to understand it properly, if he wants to create a better painting. The purpose of this article is to make sure that you learn the basic process of oil painting and create beautiful painting. The basic law of oil painting is to find out the technique that suits your style and personality.
It's important that you learn the language and laws of oil painting as under, if you are new to this painting style.
1. This paint is wet.
2. This painting style is done using brushes.
3. It is different as compared to other painting media you have been using.
You have to think like an oil painter to create good oil paintings. Accept the fact that the oil painter looks at the world differently as compared to other people. Don't focus on the subject that is given to you for painting.
Keep the oil paint in your mind and treat the subject like the process only. Clear the process in your mind and apply the action using your brush. When you gain this thinking style, you can create any kind of painting no matter what the subject is. Don't take this point lightly, because I have told you the secret that I have never told anyone as yet. You should have your own unique style to see the world.
Capture the new ideas and make a note if possible. Always be confident about your success while creating the painting. Choose the right method that suits your style and keep going on. Don't confuse yourself by asking many questions regarding the selection of surface, brush and other stuff. You just need to keep remember all the procedure required to create the painting.
If possible then read the oil painting books and gain deep knowledge regarding this painting style.
Learn from todays expert how to paint and draw step by step with the help of pictures on your core subject whether it is oil, watercolor, acrylic, fabric painting, pencil, cartoon drawing, or digital art.
Explore your creativity with these 1750 tutorials - Painting and Drawing lessons [http://www.paintonmycanvas.com/ezine.html]
'Murtaza Habib' has helped hundreds of newbies to start their painting courses, now you can do it too...
Article Source: Here
Photo: Valeriia
It's important that you learn the language and laws of oil painting as under, if you are new to this painting style.
1. This paint is wet.
2. This painting style is done using brushes.
3. It is different as compared to other painting media you have been using.
You have to think like an oil painter to create good oil paintings. Accept the fact that the oil painter looks at the world differently as compared to other people. Don't focus on the subject that is given to you for painting.
Keep the oil paint in your mind and treat the subject like the process only. Clear the process in your mind and apply the action using your brush. When you gain this thinking style, you can create any kind of painting no matter what the subject is. Don't take this point lightly, because I have told you the secret that I have never told anyone as yet. You should have your own unique style to see the world.
Capture the new ideas and make a note if possible. Always be confident about your success while creating the painting. Choose the right method that suits your style and keep going on. Don't confuse yourself by asking many questions regarding the selection of surface, brush and other stuff. You just need to keep remember all the procedure required to create the painting.
If possible then read the oil painting books and gain deep knowledge regarding this painting style.
Learn from todays expert how to paint and draw step by step with the help of pictures on your core subject whether it is oil, watercolor, acrylic, fabric painting, pencil, cartoon drawing, or digital art.
Explore your creativity with these 1750 tutorials - Painting and Drawing lessons [http://www.paintonmycanvas.com/ezine.html]
'Murtaza Habib' has helped hundreds of newbies to start their painting courses, now you can do it too...
Article Source: Here
Photo: Valeriia
Saturday, February 1, 2020
Friday, November 22, 2019
Weekend Big Screen Feature: "The Secret of Drawing" Episode 2: "The Line of Enquiry"
Every weekend we feature a full length art movie / Documentary! So grab the popcorn and enjoy!
Monday, October 21, 2019
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