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23 PAINTING TRICKS YOU CAN`T MISS

Choosing The Right Brushes For Oil Painting

Paint brushes come in a variety of shapes, sizes, materials, and costs. Determining which one is right for you, and when it is the right one, depends largely on how you want to use it. The main types of brushes are china bristle, soft hair, and synthetic bristle.

China Bristle Brushes

China bristle brushes, also called hog bristle or Chungking bristle, are made from natural pig hair. They are tough, durable brushes, able to stand up to the oil while still cleaning up nicely. They can hold a lot of paint, making them ideal for alla prima painting or impasto.

Soft Hair Brushes

Soft hair brushes are made from Kolinsky sable or ox hair, or more rarely squirrel, pony, goat, mongoose or badger. Soft hair brushes are much softer than china bristles, and a lot more expensive. It's not unheard of to pay several hundred dollars for a large sable brush. But for more delicate work, like blending and glazing, soft hair brushes are indispensable.

Synthetic Bristle Brushes

For quality and affordability, you can't go wrong with synthetic bristle brushes. Though turpentine or thinners used in oil painting can destroy some types of synthetic brushes, recent innovations in synthetic bristle technology have produced solvent resistant brushes.

Be careful, though. While affordability is a legitimate consideration when choosing your brushes, don't let it be the main one. Those brushes in the multi-packs may look just as good as the others, at a fraction of the cost, but you will end up with brushes warped and falling apart in no time.

Brush Shapes

Paint brushes come in several shapes, each designed to apply the paint in specific ways. The most useful shapes you will use in oil painting, in no particular order, are:

Flat - Designed to spread paint quickly and evenly to an area.
Bright - Similar to a flat brush, but with short, stiff bristles. Great for impasto work.
Round - Long, closely arranged bristles used for drawing or detail work.
Filbert - These almond-shaped brushes offer good coverage and the ability to perform some detail work
Fan Brush - Used for blending broad areas and creating different textures.
Liner Brush - Used for lettering and fine detail work.
By no means do you have to use, or even have, all of these brushes. Experiment and find the shape that works for you.
Brush Sizes
Brushes are sized by numbers based on the width of the brush at the metal sleeve, or ferrule, which holds the bristles in place. The size of your painting surface will help determine the size of the brush you use. For example, a brush that is 2 inches wide will be used on a canvas that is at least two or three feet in either direction.

However, this is just a rule of thumb. As with brush shapes, the sizes you choose will ultimately be determined by personal preference. So go get some brushes and start painting.

To learn more, please visit me at [http://www.oilandpigment.blogspot.com] for a look at my own paintings and works in progress.

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Jack Vettriano Prints - The Painter of the Singing Butler

Beginnings

From very humble beginnings, Jack Vettriano has risen to become one of the most successful living artists. Born as Jack Hoggan in 1941 in Fife, Scotland, he grew up in an industrial landscape. Like most of his peers, he left school aged 16 and entered the coal mining industry as an apprentice mining engineer. It was some years before he began exploring the artistic talents which have given him world renown.

INSTAGRAM

His earliest paintings were copies of impressionist paintings but, in 1998 he submitted two canvases to the Royal Scottish Academy to be shown in their annual show. This marked a breakthrough in commercial terms for Vettriano as both paintings sold on the first day of the exhibition and, crucially, he was approached by other galleries who wanted to sell his output.

Other commercially successful exhibitions followed in places around the world including Edinburgh, London, Hong Kong, Johannesburg, and New York.

Jack Vettriano prints: $1m

Many art critics dismiss Vettriano's work as 'vulgar' and 'devoid of imagination'. This criticism doesn't seem to affect the sales of his work though. According to the daily UK newspaper, The Guardian, he earns £500,000 (around $1,000,000) a year in print royalties alone. Maybe his prints are so highly valued because they are very romantic and evocative of a bygone, more elegant age.

Singing Butler and Others

The Singing Butler, his most famous work, which romantically shows an elegant couple dancing on a beach attended by what seems to be a maid and a butler sells more posters and postcards than any other painting in the UK.

Billy Boys is another iconic Vettriano painting that crops up in print form in lots of stylish locations. Once again, it's a beach scene which shows four immaculately dressed young men strolling along the shoreline.

Almost Turneresque is the hugely romantic 'Dance Me To The End Of Love' which shows three couples, once again, elegantly dressed, dancing through a misty haze.

INSTAGRAM

Celebrity Client List

Vettriano has studios in Scotland and London. He is represented by the Portland Gallery, London and includes Jack Nicholson and Terence Conran amongst his collectors. In 2003 he was awarded the OBE.

Now it's easy to join the Celebrity Set and own your own copy of one of Vettriano's iconic and stylish paintings. Get the best deals on Jack Vettriano prints.

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Vietnamese Painting - Brushing Excellence On Canvas

There is nothing more beautiful than an artwork that stimulates aesthetic pleasure. Such aesthetic experience acts as a catalyst to enhance our happiness. Earlier, the classical works of art drew heavily from nature's beauty. But of late, modern art work chiefly draws inspiration from the mundane life of man. In other words, modern art captures both material and the spiritual on an equal plane. This trend of depicting the various aspects of human life is clearly evident in the paintings of Vietnam.

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From a historical perspective, Vietnamese painting is not a very old art form. It's been only seventy years since the first official art academy of Hanoi, the Ecole de Beaux Arts, opened its doors to local students. However, the cultural origin of Vietnamese painting dates back much further. There has been a consistent effort on part of the Vietnamese people to devote themselves in serious artwork. When the first lessons in line, drawing, anatomy and landscape painting were offered in the early decades of the twentieth century, the art students began taking inspiration from the religious and cultural background of Vietnam. These new learners of art sketched their native villages and fellow farmers in the canvas following the lacquer and silk traditions. During the French colonial period, the students of art took to painting readily as they already possessed the materials needed to create a painting. Once the means to convey their artwork was secured, the new generation of painters began to produce an amazing variety of exquisite paintings. The vision of the past has changed but even today, artists of Vietnam keep on drawing inspiration from the past.

Connoisseurs of art, especially from the West, often complain of the deep influence of Europe in Vietnamese paintings. However, it is surprising to note that modern Vietnam artists still prefer to paint in the age of digital images and multimedia! Yet, if we analyze closely the environment in which the Vietnam artists live and work, we would conclude that painting suits the sensibilities of the Vietnamese artists as it incorporates the century-old cultural and religious motifs of the people. Besides, this expression of art is most immediately available to them. The European touch in Vietnamese painting is by no means accidental, but deliberate. A majority of Vietnamese painters love and appreciate the Western art and hence try to apply some of their techniques in their paintings so that the world would look up to them and give equal weightage to Vietnamese art. The West has not inspired the subject matter of Vietnamese paintings; rather the latter conveys the intricacies of the cultural and social life of Vietnam. Vietnamese artists, like other artists of the world, are moved by their environment and have taken recourse to a delicate way to voice their sentiments through color and poetic imagery.

For a great many years, Vietnamese painters struggled to give free rein to their expression on canvas. Lack of opportunities and adequate funds had created great obstacles to the success and recognition of Vietnam painting. Scarcity of information from the West set their imagination free and Vietnamese art thrived with luxuriance. Overcoming all these obstacles, the Vietnam artists showed their skill to paint under any adverse circumstances. Their resilience and determination are clearly mirrored in the originality and freshness of Vietnamese paintings.

Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries.

Vietnamese Fine Art

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Paint Brushes Are An Investment

Brushes are the most important painter's tools. Buying brushes is not just a random decision, but one that should be made carefully. Selection of brushes is personal and is based upon needs and level of investment desired. Because a brush will only last as well as it is cared for, proper cleaning and storage of brushes is probably even more important than the decision of what brush to buy. Because no matter how wonderful a brush is, if it is abused it will quickly be discarded.

Types of Brushes

The hair of the brush is what primarily denotes what type of brush it is and it's purpose. Although natural hair brushes usually cost more, they do not all create the same results. Sable hair brushes are probably the most popular brushes. They are soft haired brushes that move the paint easily and keep their point. Sable brushes are great for watercolor. Hog hair is also used to make brushes, but has a very different effect with media. Hog hair brushes are stiff brushes for heavy paint and will leave brush strokes behind. They have spilt ends and hold more paint and are used in oil painting. Synthetic brushes are also common for artists to use. These are generally less expensive, but still produce quality work. Paint brushes are an artist tools and several different types are needed depending on the project and desired result sought. More expensive brushes keep their shape after a stroke and do not fishtail or bend when paint is applied to paper or canvas and therefore have a more professional result. Less expensive brushes may be suited for some jobs, especially when used in crafts and with products like glue. The other factor identifying a brush is the handle. Traditionally long handled brushes are used for oil painting because the artist is standing at an easel. Shorter handled brushes are for watercolor and acrylics because the artist is sitting and painting in greater detail.

Cleaning and Care for Brushes

Because how well a brush is cared for effects how long the brush will last, extra effort put in to properly care for these important tools will be well worth the time. All brushes will eventually wear out and will then need to be replaced, but lengthening the span of time before that is necessary will help the budget. Cleaning is crucial to extending the life of a brush. Each brush should be cleaned immediately after use. Use a mild soap and clean in the palm of the hand. Rinse thoroughly and when water runs clear, lay the brush flat to dry. It should not be left vertical to dry as this will cause water to be pulled into the handle and will ultimately cause the handle to loosen and the brush will no longer be usable. Paint brushes should never be left sitting in a glass of water. Other than the effect it will have on the handle, it will crush the bristles. If the brushes are soaked, use a brush container that will suspend them and only fill the water to soak the bristles and not the ferrule or handle. After the paint brush is cleaned and dried it may be stored upright, or in a flat brush holder. Cleaning brushes is not only done at the end of a painting session, but should be done as needed. As a person is painting, effort should be made to keep paint away from the ferrule of the brush, but inevitably will naturally be drawn up the brush. As the paint gets close to the ferrule, it should then be cleaned. This is to prevent the paint from getting under the ferrule and drying there. Natural hair brushes also need to be conditioned on a regular basis. There are paint brush soaps that come with conditioners in them, or conditioner can be bought separately.

Make the investment of brushes one that will be used wisely. The results that a good paint brush produces are worth the initial cost, but only if the effort is made to care for them and extend the value of the investment.

Emma Snow is a creator at Craft Kits http://www.craft-kits.net leading portals for crafts and creative individuals.

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The History of American Painters

Painting is one of the most interesting forms of art. It depicts life in vivid colors and speaks so much about oneself, the painter's aspirations, his surroundings, and his nation. It has become a tool not only for personal expression but most importantly, a tool for preserving good memories of history's most significant people and events.

Below are some of the highlights in America's painting history. Let's take a look at how painting developed in America and some of the best American painters who in one way or another marked a lasting imprint in the history of American art.

Early Years

The puritan values of early English settlers in North America were so severe that they shunned all sorts of luxury including artistic expressions such as painting, a flourishing art in Europe especially in England. Beginning to settle in a strange land was very hard for these new settlers so they busied themselves with only the most essential things.

However, there were already some portraits noted during the early years of their settlement. These paintings were done by painters who identified themselves as "limners." They were the earliest known American painters. They were naturally artistic as they only trained themselves by going from one place to another to paint portraits of common folks. Training in an art school was contrary to their strict Puritan way of life.

Growth of American Art

Apparently, early Americans' interest in painting grew bigger that several years later after having established their life in America, American painters began to go to England to study.

Although early American painters were highly influenced by artistic styles already developed in Europe, as years passed by they began to create their own style in painting. In 19th century in particular, notable difference between paintings of American painters and those of their European counterparts began to show up. This distinctive American style was not only shown by American painters but as well as other American artists, especially in the field of architecture.

Diversity in painting styles of American painters was also promoted by the country's big geographical size. American painters from each region showed variations in their works. Moreover, there were differences in the works of American painters living in the cities and those of American painters living in rural areas.

National Academy of Design

The National Academy of Design, formed in 1825, was an honorary association of American artists, including American painters. Today it is now called The National Academy, which is also a museum and a school for fine arts.

Society of American Artists

First members of the Society of American Artists include American painters Robert Swain Gifford, an American landscape painter; John Henry Twachtman, most popular impressionist landscape painter in his time; John LaFarge who was also famous for his stained glass windows and writings; and Albert Pinkham Ryder, famous for his seascapes. These American painters left the National Academy of Design and formed their own association because the first failed to meet their needs as artists.

Ten American Painters

Due to the Society of American Artists' rising commercialism, ten significant American painters resigned from the association and were know as the "Ten American Painters." Among them were John Henry Twachtman, Thomas Wilmer Dewing, Edmund Charles Tarbell, and Frank Weston Benson. The group was identified as impressionists.

Dave Poon is an accomplished writer who specializes in the latest in arts and humanities. For more information regarding American Painters [http://arts.everythinganswer.com] please drop by at [http://arts.everythinganswer.com]

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