Oil Painter - Few Amazing Tips to Become Good Oil Painter: By Murtaza Habib

Oil paint contains a unique process and an artist has to understand it properly, if he wants to create a better painting. The purpose of this article is to make sure that you learn the basic process of oil painting and create beautiful painting. The basic law of oil painting is to find out the technique that suits your style and personality.

It's important that you learn the language and laws of oil painting as under, if you are new to this painting style.

1. This paint is wet.
2. This painting style is done using brushes.
3. It is different as compared to other painting media you have been using.

You have to think like an oil painter to create good oil paintings. Accept the fact that the oil painter looks at the world differently as compared to other people. Don't focus on the subject that is given to you for painting.

Keep the oil paint in your mind and treat the subject like the process only. Clear the process in your mind and apply the action using your brush. When you gain this thinking style, you can create any kind of painting no matter what the subject is. Don't take this point lightly, because I have told you the secret that I have never told anyone as yet. You should have your own unique style to see the world.

Capture the new ideas and make a note if possible. Always be confident about your success while creating the painting. Choose the right method that suits your style and keep going on. Don't confuse yourself by asking many questions regarding the selection of surface, brush and other stuff. You just need to keep remember all the procedure required to create the painting.

If possible then read the oil painting books and gain deep knowledge regarding this painting style.

Learn from todays expert how to paint and draw step by step with the help of pictures on your core subject whether it is oil, watercolor, acrylic, fabric painting, pencil, cartoon drawing, or digital art.

Explore your creativity with these 1750 tutorials - Painting and Drawing lessons [http://www.paintonmycanvas.com/ezine.html]

'Murtaza Habib' has helped hundreds of newbies to start their painting courses, now you can do it too...



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Learning How to Use Your Paint Brush: By Amy Ressa

If you are a self taught artist, you may be missing out on basic techniques to use when you are doing your decorative painting. It is never too late to take the time to learn. Add this knowledge to your current skills and improve your finished products. Learning never stops and can help keep your work fresh and up to date with the times.

Strokework is the basis behind decorative painting. Once you have mastered the different strokes, you will be on the way to creating beautiful artwork. By learning these different techniques you will be able to do different types of decorative painting. Combining techniques will allow you to create more interest in your work. These strokes can be used on small projects like painting glassware, painting on furniture, or walls.

If you are a painter who did not learn how to use your brush and the different strokes from the beginning, you will notice the difference in your work if you take the time to learn. It allows you to understand how to hold your brush, the amount of pressure, and how the paint works in your brush. This is information that is beneficial no matter what type of painting you do.

There are two main elements to stroke work. One element is downward pressure and the other is sideways pressure. The amount of pressure will determine the width of your stroke. Of course, the more pressure you exert, the wider your stroke will be. As with the less pressure you use, the smaller your strokes will be.

My name is Amy Ressa. I am the owner of The Painted House and More. My business is located in Central Ohio. I am however always interested in working with others that are located throughout the United States and not limited to Central Ohio. I am a decorative painter who offers a service to paint items for weddings and special events. These items can include ring bearer pillows, flower girl baskets, cake and knife serving sets, plates, dessert or wedding cake plates, centerpieces, and more. I am open to any ideas you would like to discuss.


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Photo: Dominika

Painting Styles - Painting Has Undergone Variety Of Experiments

Paintings manifest the thoughts and visions of human beings through the language of art. A wide array of painting styles, methods and techniques has enhanced the horizon of painting making it more enriched and versatile. Painting has undergone variety of experiments under the hands of the master artists, which resulted into a vast selection of painting styles. The core philosophy behind the artwork, the painting styles introduce us to the various movements and schools of art. A single style also serves as a record of a particular historical period and culture prevalent during the time. Painters generally opt a particular painting style and carve their portraits typifying that specific style. Hence it is very necessary to read the various painting styles to understand the subtle strokes of each artwork.

The painting styles are visible with the emergence of 'Romanesque Art' in the eleventh century. The Romanesque paintings characterized by decorative leaf motifs are to be viewed in all Roman imperial structures. The 'Gothic Style of Paintings' evolved in the mid twelfth century in the form of frescos, panel paintings, manuscripts and stained glasses.

Oil and canvas paintings became popular in the later time with the origin of the 'Renaissance Style of Art' in the fourteenth century. Art became more realistic and secular through linear forms, anatomical shapes and use of light and shadow. The legendaries of paintings Raphael, Michelangelo and Leonardo da Vinci were artists of the Renaissance period. 'Baroque Style of Painting' evolved in the seventeenth century with the 'Baroque Cultural Movement'. Highly passionate, the paintings enlivened an ongoing action into art.

The 'Impressionism' of the nineteenth century world is articulated through 'Impressionistic Paintings'. Ordinary themes from the nature and surrounding world were painted through distinct brush strokes. 'Pointillism' invoked a new technique of painting where tiny dots of primary colors were blended to form an image creating an impression of miscellaneous colors. 'Expressionistic Paintings' of the early twentieth century are artistic expressions of subjective emotions that painters experience from the subjective world.

Among the modern styles of paintings, 'Cubism' is popular. A precursor to abstract painting 'Cubic Paintings' introduced geometric shapes and figures as images. Pablo Picasso, Georges Braque and Marc Chagall are the noted painters of Cubism. Another famous painting style during the1920s was the 'Surrealistic Paintings'. The painters used beautiful images and incongruous juxtapositions to represent unconscious thoughts and dreams. The 'Dada Painting Styles' of the time of the First World War represented art works that conveyed a nihilistic attitude towards conventionalism. The paintings were a revolt against the aesthetic and contemporary style of art.

Abstract Painting is perhaps the most difficult and complex of all painting styles. Painting is portrayed in an objective and non-representational way through colors and lines. The paints are dropped, lined and smeared over the canvas generating an idea non-captured in image form. Jackson Pollock, Pier Mondrian and Barnett Newman are some famous abstract painters. Abstract Expressionism is an art movement of the post World War II. It emphasized the non-representational style of abstract art in a more audacious and dramatic way. Postmodern Art reflects the modern consumerism and the contemporary culture in the paintings. It rejects the elaborately narrative depictions of the modern art and emphasizes more on the insincerity and discontinuity that is more feasible in the present day.

For comprehensive information on paintings and related topics, please visit Ethnic Paintings

Amit Singh is Content Coordinator for http://ethnicpaintings.com This website gives you comprehensive informations on painting history, development, trends, popular painting styles, great painters, famous paintings, painting galleries and museums, painting tips, painting classes. In other words, this website is a treat to painting freaks.

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Oil Painting Without Brushes

As a known fact a paint brush is the most common mode of application of an oil color. However there are other methods also to apply paint on to a surface. This article speaks about the different methods of application of paint onto a surface other than the usual paint brushes.

Palette Knives

When you hear about palette knife you would be thinking about palette isn't it? Palette knives have been a traditional tool for mixing the paint. They are the most apt tool to be used for creating smooth and consistent mediums of paints. However there are many painters who use the palette knife in addition to be used as mixing tool, they straight use the palette knife on to the painting surface.

These knives come in different shapes and signs. They are also available in plastic. As far as the mixing is concerned one shape or size is more than sufficient but as the case of using it as a paint brush is considered, the selection of the knife is made in the same way as the case of selecting brushes is considered. There is no shape or size which we can say is right or the apt one for usage. Experimentation is the key if you are working with palette knives if you are considering working with knives. Try the different shapes and you can select the one that gives you the best effects. Generally small and thin brushes are best suited for lining and big knives are the best for loading on the paint.

Stencils

Many artists love using stencils in their paintings. This usage is loved by them especially when there is a usage of repetitive effect and stylish shapes. Stencils are a useful tool. There are pre made stencils available or you even an option of making stencils with your stencil kit. Ensure that you use the right materials for best results.

Stencil usage in paints is not a traditional method so there is no scope that you can find any tutorials for teaching you the technique of stencils. But is important that you keep in mind the fundamentals of the medium like the fat over lean. You might have noticed that in case the paint is thin in consistency then it stagnates around the edges, so in such a case it is important that you apply a thicker layer of painting. Stenciling is a very interesting art, however it is used as one of the under layers but it has amazing effects.

Rags, Sponges, Fingers

Rags, sponges and of course your fingers are all innovative tools in oil painting which can occupy the place of a paint brush.

Ben Jonson is a Copywriter of oil paintings http://www.paintingmax.com He has written many articles like Canvas oil paintings. For more information visit our site [http://www.paintingmax.com/] - Contact him at paintingmax.ben@googlemail.com

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Most VALUABLE Art Thefts in History

Five Most Common Problems Beginner Painters Have

For people who are interested in learning how to paint with either acrylic or oil paint may experience a few common learning problems. These are the most common problems people have when they are learning how to paint. You can overcome these common problems with some basic knowledge and problem solving skills that will eventually get you past these difficulties.

There are five common problems beginner painters have:

1. Very little experience in drawing prior to learning how to paint.

You really need to have some knowledge or experience in beginning drawing before you ever pick up a paint brush. Using a pencil to draw is a lot easier skill than using a paint brush. You should have some basic knowledge about shapes, forms, lines, and values (shading) to enable you to understand how to manipulate colors in your paint. You need to take your time and not hurry through your drawing in order to get the composition of your picture placed in the most effective way in your picture. If you can draw out the picture in a sketch book prior to actually drawing it on your canvas; this will help to iron out any problems that may arise with your composition. Having some skill and practice at the drawing level will definitely help you have a more successful painting.

2. Not being organized from the beginning with how you set up your palette.

When you first learn how to paint you need to be organized with all your paint colors from the beginning. That means to set out your paints on your palette in the same order every time. Try to leave the most room on your palette for mixing your colors. You will have to mix just about every color you use to paint with so you need to have room on your palette for these color mixtures. As a beginner, you will be using trial and error to get the color you want and this will take time and practice to learn which colors you need to mix together to get what you want. If you put your paints out all over your palette with no apparent order, you will not have any room for mixing and will end up having to clean off your palette and starting with a clean palette.

3. Not putting enough paint on your palette the first time.

Many beginner painters will squeeze out a tiny bit of paint on their palette and find that they run out of that particular color rather rapidly and need to get more from the tube again. This can be a problem when you are using that particular color to mix with to make another color with. Don't be stingy with the paint, it is OK to squeeze out a generous amount of paint onto the palette. The paint will stay moist for several days (especially if you put it in the refrigerator) You will use up the paint eventually.

4. Brush work problems of over-doing the brush strokes,

Another common problem beginner painters have is they repeatedly paint over the same area inadvertently ending up with mud. There is a tendency to keep on stroking the same area in the hope it will magically change into something they are trying to do. Unfortunately painting doesn't work that way. Each paint stroke needs to be thought out carefully and done in a way that will not interfere with the other colors. Some of the color do not go together well and this may be the cause of the "mud" in the end. It is very frustrating for the beginner painter to encounter this problem. It is a matter of learning the color theory and learning more skill at handling the paint brush. This comes with time and experience.

5. Forgetting to clean the paint brush frequently and especially between colors.

It is vital to clean your brush frequently while you are painting. Especially when changing to a different color. For a beginning painter it is very easy to forget to clean the brush and accidentally contaminate one of your lighter colors with a previous darker color you were using. This can happen either on the palette or on the canvas. If it happens on the canvas it can sometimes be difficult to fix the area, you may have to just wipe the area off and start again. Even if you don't clean your brush off in the turp solvent, you can still just wipe it off on a paper towel or a rag and that will help.


Article Source: https://EzineArticles.com/expert/Marilou_O'Loughlin/208858

SurajFineArts - Easy Abstract Landscape Painting Demo

Weekend Big Screen Feature: "The Secret of Drawing" Episode 1: "The Line of Enquiry"

Every weekend we feature a full length art movie / Documentary! So grab the popcorn and enjoy!

Brushstrokes (Part 3) - The Modern Era

Brushstrokes (Part 2) - The 19th Century

Brushstrokes (Part 1) - The Early Masters

Art Canvas Factory and Oil Paint... Its all about the preparation!

German Expressionist Painter - George Grosz

As did many of the German artists of the time George Grosz fought in the trenches of WWI, having volunteered for military service. In 1915 he was discharged on medical grounds however he was drafted in the January of 1917 due to the shortage of soldiers, where he did not fight but guarded and transported prisoners of war, but by the May he was given permanent discharge as he was unfit for duty after a suicide attempt forced them to diagnose shell shock. Having faced his own disillusionment about the nature of war he turned his attention the bourgeoisies of 1920s Germany and painted a series of mocking caricatures of them and those who were in support of war.

He provided illustrations for German left-wing publications through his involvement with the German Dada group, and became a member of the KPD, the German communist party in 1919. He was arrested during the Spartacist uprising which marked the end of the German revolution, but he escaped using fake identification papers. In 1921 he was accused of insulting the army and was fined 300 German marks and had his work Gott Mit uns, God With Us - a satire condemning German Society - destroyed.

After spending five months in Russia meeting with people like Trotsky and Lenin he left the KPD, unwilling to live under any sort of dictator and as such his politics were strongly ant-Nazi. He was invited by the Art Studies League of New York to teach there in 1933, just at the time when the Nazis came to power. He received word that they had been to his apartment and his studio looking for him and so he stayed in America, becoming a naturalized citizen in 1938. During this time his work become more romantic and to many this signaled a decline.

He continued to teach, forming a private art school in his own home during the 1950s and he worked as an artist in residence. He was elected to the American Academy of Arts and Letters in 1954. He returned to Berlin where he died after a fall down some stairs in 1959.

Works: Suicide 1916

Fit For Active Service 1918

Grey Day 1921

The Face of the Ruling Class 1921

The Eclipse of the Sun 1928

Discover more of these artists and what they painted here:

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Oil Painting Techniques - The Many Ways to Apply Oil Paint

Oil paint is one of the most versatile and adaptable painting mediums in existence today. There are many techniques and effects possible with oil paint. Oil paint can be applied in thin transparent glazes or washes, or the paint can be mixed to a thick buttery consistency and applied using a painting knife. There really appears to be no end to the wonderful ways you can create art with this amazing painting medium. This article will talk about some of the many ways you can use oil paint.

Dry brush

The dry brush technique involves using a small amount of oil paint straight from the tube. It is then brushed thinly onto your support with a bristle brush. This technique works particularly well with a rough surface. The raised parts of your surface pick up the paint, while the dips or valleys in your support do not. This creates a broken color effect where the color of your canvas shows through.

Painting On A Toned Ground

The white of a canvas can sometimes be too bright or have too much contrast which makes starting a painting a bit difficult. When you cover your support with a uniform toned ground, it makes it much easier to judge the values in your painting. You can use any color you like to tone your ground really, but the more popular approach is to use warm tones of red, yellows and browns, which provide a wonderful richness to the finished work.

Here is an example of how to paint on a toned ground using Burnt Umber and Yellow Ochre. First you create the wash by mixing the Burnt Umber and Yellow Ochre together with a paint thinner (use turpentine, or if you are like me, and are allergic to turpentine, use a water soluble oil paint). Apply the mixture generously to your support and completely cover it with a large bristle brush. Let this mixture stand for a couple of minutes and then wipe off the excess wash with a cloth.

Alla Prima Painting

Alla Prima painting, also known as "direct painting", is a technique of oil painting where the work is usually finished in just one sitting. You are probably familiar with the artist Bob Ross, who made this painting method quite popular on his TV Show. I am sure like me, you watched Bob paint in amazement as he completed a beautiful painting in under 30 mintues.

The paint is applied wet onto wet directly onto the canvas usually with no underpainting or sketches. It might be a good idea in the beginning to lay down a sketch with some thinned down oil paint. This way you will have a general idea where your colors will be placed. You must be careful using this technique as your painting can become quite muddy if you do not apply the colors correctly on your canvas. It takes practice, so don't be discouraged if your first, second or even third painting does not come out the way you anticipated. Keep practicing and let your imagination run wild. As Bob used to say, "It's Your World".

Working With Painting Knives

If you have never worked with painting knives, then it is highly recommended that you give them a try. This type of painting method is very different from traditional brush painting and when you lay down your first stroke of paint with a painting knife, you will immediately see why. Painting with a knife can be best described as spreading butter on a piece of bread and you should keep your painting at a butter or cream like consistency when using painting knives. Do not use your palette knives to paint with. They have a different construction and are not made for painting. Painting knives have more flexibility to them and come in a variety of different shapes and sizes. You can manipulate paint in a variety of different ways with a knife just by changing your hand position on the handle. You can hold your hand down low on the handle to smear the paint over your support. Move your hand up to the top of the handle and you can use your finger to gently push the blade into the paint to create small dabs of color. You can also turn your knife blade on its side for scraping away paint or for creating hard lines.

Glazing

If you never produced a painting using the glazing technique, then you should definitely give this a try as well. Your painting will have a different appearance then if you were to complete a painting using traditional color mixing techniques. Glazing tends to give colors more luminescence. The colors are not mixed together first before applying, rather, they are mixed optically using single transparent layers of color. For instance, if you wanted to create the color green using glazes, you would not mix yellow and blue together on your palette first. You would first apply a thin glaze of blue, wait until it dries, then apply a thin glaze of yellow, which would then create your green. Each layer must be completely dry before applying subsequent layers. Usually, the first step in using the glazing technique is to create a monochromatic (different values of the same color) underpainting of the subject. Using only one color will help you to focus on form and tone first, rather than being too preoccupied with color at this stage. Wait until your under painting is dry to begin applying your first layer of color. This technique is tricky and does require practice, but it is not as difficult as some may lead you to believe.

For more oil painting lessons and techniques be sure to visit Creative Spotlite today, a free online community for artists and crafters. It is also recommended that you visit the Creative Spotlite Art Instruction Blog, where you will find more painting lessons including step by step painting videos.



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Affordable Paintings: Art Prints Buying Guide

The fastest way to bring beauty and style to a
room is to put up prints of beautiful paintings. Here's what you
should consider:

Painting Prints Price Range:

Expect
to pay somewhere in the neighborhood of $50-$500 for an unframed
print--anything less than $50 is likely a poster. You should
expect to pay a similar amount to have the print framed--note that many
prints are designed to be exhibited without frames.

Before
art prints were sold online, the only way to get them was through
galleries or museum shops, which had to charge a large markup.
Nowadays, art prints rarely cost more than a few hundred dollars, and
it is possible to find good-quality prints for under $100. Still,
those lower prices generally come on prints that have been put on
sale. Expect to pay more for perennial favorites like Van Gogh's
"Starry Night".

Selection

There
is at least one print of every painting or photograph on display in a
museum anywhere. Thanks to the internet, you can find the right
art print among the tens of thousands in existence and have it sent to
you, regardless of where the original is located. Since websites
will let you browse thumbnail images of the artwork, it's easy to find
a particular piece even if all you know about it is the name of the
artist or even just the time period in which it was created.

Painting Print Media

Prints are available in a variety of print stocks.

Prints vs. Original Paintings

If
all you're interested in is a picture to decorate your wall, rather
than in collecting, prints are a better value than original
paintings. Here's why:

* Expense.
Creating an original work of art generally takes weeks. If you
had to employ someone for several weeks or several months, how much do
you think it would cost at even a modest salary? That's why
original artwork generally costs at least thousands of dollars.
In order to have a real chance of your work of art having investment
value, you need to buy the work of an artist who is moving up in the
art market.

* Questionable
investment value. Original artwork only has investment value if
the price goes up eventually. Very often, the price does
not. In short, if you're interested in investing, buy
stocks--it's a safer bet. Only buy art because *you* value it.

* Knowledge.
You need to be very knowledgeable about what you are doing. Make
no mistake: there's plenty of fraud in this business. There is
also plenty of wishful thinking on the part of art dealers when it
comes to a work's long-term market prospects

Ready
to make your home more beautiful with prints of great paintings?
You're already in the right place: the internet has numerous websites
offering an unbelievable array of art prints. Start looking now.

Joel Walsh has written a buying guide for art prints at: paintings [http://www.a1-paintings.com]:[http://www.a1-paintings.com]

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Vietnamese Painting - Brushing Excellence On Canvas

There is nothing more beautiful than an artwork that stimulates aesthetic pleasure. Such aesthetic experience acts as a catalyst to enhance our happiness. Earlier, the classical works of art drew heavily from nature's beauty. But of late, modern art work chiefly draws inspiration from the mundane life of man. In other words, modern art captures both material and the spiritual on an equal plane. This trend of depicting the various aspects of human life is clearly evident in the paintings of Vietnam.

http://www.vietnamartist.com/product/summer-morning/

From a historical perspective, Vietnamese painting is not a very old art form. It's been only seventy years since the first official art academy of Hanoi, the Ecole de Beaux Arts, opened its doors to local students. However, the cultural origin of Vietnamese painting dates back much further. There has been a consistent effort on part of the Vietnamese people to devote themselves in serious artwork. When the first lessons in line, drawing, anatomy and landscape painting were offered in the early decades of the twentieth century, the art students began taking inspiration from the religious and cultural background of Vietnam. These new learners of art sketched their native villages and fellow farmers in the canvas following the lacquer and silk traditions. During the French colonial period, the students of art took to painting readily as they already possessed the materials needed to create a painting. Once the means to convey their artwork was secured, the new generation of painters began to produce an amazing variety of exquisite paintings. The vision of the past has changed but even today, artists of Vietnam keep on drawing inspiration from the past.

Connoisseurs of art, especially from the West, often complain of the deep influence of Europe in Vietnamese paintings. However, it is surprising to note that modern Vietnam artists still prefer to paint in the age of digital images and multimedia! Yet, if we analyze closely the environment in which the Vietnam artists live and work, we would conclude that painting suits the sensibilities of the Vietnamese artists as it incorporates the century-old cultural and religious motifs of the people. Besides, this expression of art is most immediately available to them. The European touch in Vietnamese painting is by no means accidental, but deliberate. A majority of Vietnamese painters love and appreciate the Western art and hence try to apply some of their techniques in their paintings so that the world would look up to them and give equal weightage to Vietnamese art. The West has not inspired the subject matter of Vietnamese paintings; rather the latter conveys the intricacies of the cultural and social life of Vietnam. Vietnamese artists, like other artists of the world, are moved by their environment and have taken recourse to a delicate way to voice their sentiments through color and poetic imagery.

For a great many years, Vietnamese painters struggled to give free rein to their expression on canvas. Lack of opportunities and adequate funds had created great obstacles to the success and recognition of Vietnam painting. Scarcity of information from the West set their imagination free and Vietnamese art thrived with luxuriance. Overcoming all these obstacles, the Vietnam artists showed their skill to paint under any adverse circumstances. Their resilience and determination are clearly mirrored in the originality and freshness of Vietnamese paintings.

Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries.

Vietnamese Fine Art

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Paint Brushes Are An Investment

Brushes are the most important painter's tools. Buying brushes is not just a random decision, but one that should be made carefully. Selection of brushes is personal and is based upon needs and level of investment desired. Because a brush will only last as well as it is cared for, proper cleaning and storage of brushes is probably even more important than the decision of what brush to buy. Because no matter how wonderful a brush is, if it is abused it will quickly be discarded.

Types of Brushes

The hair of the brush is what primarily denotes what type of brush it is and it's purpose. Although natural hair brushes usually cost more, they do not all create the same results. Sable hair brushes are probably the most popular brushes. They are soft haired brushes that move the paint easily and keep their point. Sable brushes are great for watercolor. Hog hair is also used to make brushes, but has a very different effect with media. Hog hair brushes are stiff brushes for heavy paint and will leave brush strokes behind. They have spilt ends and hold more paint and are used in oil painting. Synthetic brushes are also common for artists to use. These are generally less expensive, but still produce quality work. Paint brushes are an artist tools and several different types are needed depending on the project and desired result sought. More expensive brushes keep their shape after a stroke and do not fishtail or bend when paint is applied to paper or canvas and therefore have a more professional result. Less expensive brushes may be suited for some jobs, especially when used in crafts and with products like glue. The other factor identifying a brush is the handle. Traditionally long handled brushes are used for oil painting because the artist is standing at an easel. Shorter handled brushes are for watercolor and acrylics because the artist is sitting and painting in greater detail.

Cleaning and Care for Brushes

Because how well a brush is cared for effects how long the brush will last, extra effort put in to properly care for these important tools will be well worth the time. All brushes will eventually wear out and will then need to be replaced, but lengthening the span of time before that is necessary will help the budget. Cleaning is crucial to extending the life of a brush. Each brush should be cleaned immediately after use. Use a mild soap and clean in the palm of the hand. Rinse thoroughly and when water runs clear, lay the brush flat to dry. It should not be left vertical to dry as this will cause water to be pulled into the handle and will ultimately cause the handle to loosen and the brush will no longer be usable. Paint brushes should never be left sitting in a glass of water. Other than the effect it will have on the handle, it will crush the bristles. If the brushes are soaked, use a brush container that will suspend them and only fill the water to soak the bristles and not the ferrule or handle. After the paint brush is cleaned and dried it may be stored upright, or in a flat brush holder. Cleaning brushes is not only done at the end of a painting session, but should be done as needed. As a person is painting, effort should be made to keep paint away from the ferrule of the brush, but inevitably will naturally be drawn up the brush. As the paint gets close to the ferrule, it should then be cleaned. This is to prevent the paint from getting under the ferrule and drying there. Natural hair brushes also need to be conditioned on a regular basis. There are paint brush soaps that come with conditioners in them, or conditioner can be bought separately.

Make the investment of brushes one that will be used wisely. The results that a good paint brush produces are worth the initial cost, but only if the effort is made to care for them and extend the value of the investment.

Emma Snow is a creator at Craft Kits http://www.craft-kits.net leading portals for crafts and creative individuals.

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30 SIMPLE ART TECHNIQUES

Paint with Kevin Hill - Hidden Lake

Israeli Painter Artist-Oil Paintings & Fine Art Prints Gallery

Painter Michael Khundiashvili is a recipient of National
and International Portrait Competitions Awards and Honors
and a Graduate of the acclaimed Academy for Fine Arts in Tbilisi Georgia. His works are in private and public Collections throughout the Russia, Canada, Israel, Georgia, USA and has been featured in several national publications.

http://www.michael-arts.com

Since 1987 he is a member of the association of Arts in the Soviet Union. In 1995 he immigrated to Israel and become a member of the Israeli painters and sculptors association.

A Master of Fine Arts, he has a strong belief in the Eternal Values offered to the artists by the Renaissance, which are:

Love and Respect for God's Creation, Appreciation of it's Harmony and Beauty without alterations.
Necessity of study for the Knowledge of the Human Anatomy, Perspective, Composition, Painting and Drawing Methods.
A Must of the Drawing Skill, based on that Knowledge.
The foundation of his painting philosophy is the pursuit of superb draftsmanship skills to ensure the integrity of the painting. Equally important is the creation of a dynamic and unified composition that invites the viewer in for closer inspection. Each painting is carefully thought out and a drawing is submitted for approval before the canvas is built.

With a desire to create distinguished portraits that speak to many, he searches to convey quiet, sensitive insight into the life of the sitter. His visual understanding is greatly enhanced by painting from life when possible.

"I feel profoundly blessed and grateful to God for the gift of painting, the ability to express my visions, filings and fantasies on canvas, to share it with others, and the opportunity to pursue a career I dearly love." - Michael Khundiashvili.

Michael Khundiashvili is a recipient of National and International Portrait Competitions Awards and Honors and a Graduate of the acclaimed Academy for Fine Arts in Tbilisi Georgia. His works are in private and public Collections throughout the Russia, Canada, Israel, Georgia, USA and has been featured in several national publications. Since 1987 he is a member of the association of Arts in the Soviet Union. In 1995 he immigrated to Israel and become a member of the Israeli painters and sculptors association. A Master of Fine Arts, he has a strong belief in the Eternal Values offered to the artists by the Renaissance, which are: Love and Respect for God's Creation, Appreciation of it's Harmony and Beauty without alterations. Necessity of study for the Knowledge of the Human Anatomy, Perspective, Composition, Painting and Drawing Methods. A Must of the Drawing Skill, based on that Knowledge.

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