Women with Tattoos of Fine Art Masterpieces Are Actually Oil Paintings Themselves

Since we last checked in with painter Agnieszka Nienartowicz, she has continued to hone her skills and produce stunning oil paintings. Inspired by the world of Old Master art, her canvases typically incorporate motifs from well-known artists like Caravaggio, Hokusai, and Sandro Botticelli. Popping up as contemporary tattoos on the skin of the women she portrays, they are a wonderful tribute to the past that also looks toward the future.

One is initially drawn into Nienartowicz’s work due to her technical skill. Bordering on hyperrealism, her paintings have barely a brushstroke that’s visible to the naked eye. Each woman is portrayed with incredible accuracy and detail. It’s only when drinking in these visuals that the historical details begin to reveal themselves. Whether it’s John James Aubudon’s Birds of America peeking from beneath the shirt of a woman with her back turned to the canvas or Guido Reni’s depiction of Jesus and Mary as sleeve tattoos on a downtrodden girl, each classic painting informs the significance of the artwork.

Particularly meaningful to Nienartowicz is her Girl in White triptych. Over the course of three canvases, we see the same girl in different stages of undress and as she slowly unzips her dress, a spectacular surprise awaits. The Last Judgement by Hans Memling, a masterful 15th-century triptych, covers nearly her entire torso. The paintings are deeply personal for the artist, as they are partially an expression of her experience as a Polish emigrant.

Reflecting on the difficult past of her ancestors and how this has informed her outlook on life, she writes about her initial impressions of Americans and how different their attitudes were in comparison to what she was used to. “I remember my surprise after the first contact with these people—how much joy, openness, and positive attitudes towards the world is in them,” she recalls. “I think that there is a sadness in me that transferred from the blood of previous generations, who experienced suffering. I think many of us Poles are—often without even knowing it—deeply scarred by hard history; the stigmas of unfulfilled dreams, traces of surgery on aching souls, disfigurement after difficult choices, and wounds of tragic events. These scars are the tattoos of survival.”

Still early in her career, it’s thrilling to see Nienartowicz’s art grow and progress. As she continues to develop her craft and find her voice, we’ll be anxiously waiting to see what’s next.

Original Article: Here

Artist Uses Her Own Thigh as a Canvas for Stunning Ink Drawings

Lately, social media platforms like Instagram and Pinterest have been flooded with a renaissance of unique tattoo art. Many young people today enjoy the self-expression of adding art to their own skin, even when it’s in temporary form. Such is the case for artist Randa Haddadin, who has taken her romantic painting style to a reusable canvas—her body.

Based in Dubai, Haddadin’s art explores emotions, people, and dance. Recently, the artist has transferred her expressive technique to a series of body art illustrations. “It started a few years back as a spontaneous gesture without overthinking or much preparation—where all you need is a pen and, well, a leg or arm or back,” says Haddadin. “One canvas with so many temporary possibilities. A moment in time that’s not meant to last, but kept as a memory.” Fortunately, each drawing Haddadin makes on her legs or arms is documented on her Instagram before it disappears. Among her works are portraits, dancing figures, architecture, and botanical motifs.

“It’s a therapeutic process for me, where I don’t need to worry about the end result—keeping it, preserving it, or selling it. Instead, I can focus on the process of creating and enjoy the spontaneous strokes. The comfort of its temporariness gives me more room to be braver with my lines, unlike a permanent tattoo or a sealed oil painting,” explains Haddadin.

You can follow Haddadin on Instagram to keep up to date with her latest body art creations.

Original article: Here

How This Guy Uses A.I. to Create Art | Obsessed | WIRED

Learning How to Use Your Paint Brush: By Amy Ressa

If you are a self taught artist, you may be missing out on basic techniques to use when you are doing your decorative painting. It is never too late to take the time to learn. Add this knowledge to your current skills and improve your finished products. Learning never stops and can help keep your work fresh and up to date with the times.

Strokework is the basis behind decorative painting. Once you have mastered the different strokes, you will be on the way to creating beautiful artwork. By learning these different techniques you will be able to do different types of decorative painting. Combining techniques will allow you to create more interest in your work. These strokes can be used on small projects like painting glassware, painting on furniture, or walls.

If you are a painter who did not learn how to use your brush and the different strokes from the beginning, you will notice the difference in your work if you take the time to learn. It allows you to understand how to hold your brush, the amount of pressure, and how the paint works in your brush. This is information that is beneficial no matter what type of painting you do.

There are two main elements to stroke work. One element is downward pressure and the other is sideways pressure. The amount of pressure will determine the width of your stroke. Of course, the more pressure you exert, the wider your stroke will be. As with the less pressure you use, the smaller your strokes will be.

My name is Amy Ressa. I am the owner of The Painted House and More. My business is located in Central Ohio. I am however always interested in working with others that are located throughout the United States and not limited to Central Ohio. I am a decorative painter who offers a service to paint items for weddings and special events. These items can include ring bearer pillows, flower girl baskets, cake and knife serving sets, plates, dessert or wedding cake plates, centerpieces, and more. I am open to any ideas you would like to discuss.


Article Source: Here
Catch Amy here
Photo: Dominika

Oil Painting Without Brushes

As a known fact a paint brush is the most common mode of application of an oil color. However there are other methods also to apply paint on to a surface. This article speaks about the different methods of application of paint onto a surface other than the usual paint brushes.

Palette Knives

When you hear about palette knife you would be thinking about palette isn't it? Palette knives have been a traditional tool for mixing the paint. They are the most apt tool to be used for creating smooth and consistent mediums of paints. However there are many painters who use the palette knife in addition to be used as mixing tool, they straight use the palette knife on to the painting surface.

These knives come in different shapes and signs. They are also available in plastic. As far as the mixing is concerned one shape or size is more than sufficient but as the case of using it as a paint brush is considered, the selection of the knife is made in the same way as the case of selecting brushes is considered. There is no shape or size which we can say is right or the apt one for usage. Experimentation is the key if you are working with palette knives if you are considering working with knives. Try the different shapes and you can select the one that gives you the best effects. Generally small and thin brushes are best suited for lining and big knives are the best for loading on the paint.

Stencils

Many artists love using stencils in their paintings. This usage is loved by them especially when there is a usage of repetitive effect and stylish shapes. Stencils are a useful tool. There are pre made stencils available or you even an option of making stencils with your stencil kit. Ensure that you use the right materials for best results.

Stencil usage in paints is not a traditional method so there is no scope that you can find any tutorials for teaching you the technique of stencils. But is important that you keep in mind the fundamentals of the medium like the fat over lean. You might have noticed that in case the paint is thin in consistency then it stagnates around the edges, so in such a case it is important that you apply a thicker layer of painting. Stenciling is a very interesting art, however it is used as one of the under layers but it has amazing effects.

Rags, Sponges, Fingers

Rags, sponges and of course your fingers are all innovative tools in oil painting which can occupy the place of a paint brush.

Ben Jonson is a Copywriter of oil paintings http://www.paintingmax.com He has written many articles like Canvas oil paintings. For more information visit our site [http://www.paintingmax.com/] - Contact him at paintingmax.ben@googlemail.com

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22 CREATIVE PAINTING TRICKS

History of Oil Paintings

Oil Paintings are the stuffs of a certain time and certain set, and art history of course tries to place these works in their superior setting. Any body learning western art, for instance, would study to be familiar with the styles of the Oil painting reproduction, Baroque, traditional, idealistic and Modern periods, and to know the complex interaction of consideration, support, civilization and monetary issues, which the oil paintings represent. It is to such a sympathetic that art critics refer when they insist that art today has to be comprised with contemporary issues.

The history of oil painting goes back to very old times when man endeavored to detain his world and knowledge in paint. It was profound in the grottos of Southern Europe when man assorted animal fats with earth and stain to form what could be measured as the first oil paints. The paint was then altered onto the walls of the grotto, with the prehistoric images of the hunters and the animals sought after becoming the earliest creative creations of humankind.

The oil painting medium developed when during the time of 15th century, Jan van Eyck the well known Belgian painter found that linseed oil and oil from nuts can be mixed with different colors to generate dazzling oil colors. Though there is proof that some English artists from the 13th Century made use of oils, van Eyck leftovers the discoverer and first advocate of oil painting technique, as we know it these days. In modern times, oil painting color is one of the most in style choices of appearance by artists globally, as it offers enormous variety & methods, strong depth of color vitality and durability that allow paintings to last thousands of years.

It is as well one of the most lenient mediums - the paint could be simply directed on the canvas and if you make a error you could always clean the color off the canvas (only with a cloth dipped in turpentine), due to the length of ventilation time. The amazing flexibility of oil color provides itself completely to the customary painting techniques of joining together and glazing, impasto and scumbling on a huge number of surfaces, giving the artist excellent results. These days oil painting reproduction is gaining more and more popularity.

Vijay is a Copywriter of Art reproductions He written many articles in various topics. For more information visit: Oil painting contact him at 1artclubpainting@gmail.com

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Brushstrokes (Part 3) - The Modern Era

Brushstrokes (Part 2) - The 19th Century

Brushstrokes (Part 1) - The Early Masters

Female 20th Century German Expressionist Painter - Kathe Kollwitz

Born in 1867 to a father who was a radical social democrat who became a mason and house builder and educated by her grandfather on matters of religion and socialism Kathe Kollwitz dedicated her life to political activism. From an early age she was confronted by death when her younger brother died, leaving her deeply affected.

Her father's encouragement beginning at the age of 12 saw her progress artistically until she was old enough to go the Women's School of Art in Berlin, at a time when women were not allowed to study like men. At the age of 17 she got engaged to a medical student Karl Kollwitz whom she would not marry until 1891 when he was a qualified doctor. In the years in between she studied at Munich woman's art school, discovering there that she was a more talented draftsman than painter, then she returned to her home and rented a studio where she continued to draw Germany's working class laborers.

Two of her greatest works were The Weavers: an etching cycle inspired by the oppression of Silesian Weavers in Langembielau and their ultimately unsuccessful buy violent revolt in 1842, and The Peasant War: and etching cycle equally inspired by a violent revolution this time in southern Germany during the early years of the reformation when, in 1525, the peasants took arms against the feudal lords of the church who treated them as slaves.

During WWI she lost her one of her sons to the fighting and lost a grandson to WWII. All throughout her life she was a pacifist and produced anti-war art. She provided prints for the left-wing publications of pre-Nazi Germany and during the power struggle which followed the abdication of Kaiser Wilhelm II sought to ally the workers with the communist Soviets.

When the strongly anti-communist Nazis came to power they banned her from exhibiting and stripped her of her teaching post at the Berlin Academy of Art. Despite all this she stayed in Germany. She left Berlin in 1943, and during the latter days of the war her house was destroyed by an allied bomb, taking with it the majority of her work, all except a small portfolio she took with her.

In 1932 she finally finished her monument to the son she had lost in 1914: sculptures called The Grieving Parents. She was the first woman to be elected to the Prussian Academy of Arts. She died in 1945 in Moritzburg.

Works: The Weavers

Peasant War

Death and Woman

Death Woman and Child

Discover more of these artists and what they painted here:

http://www.squidoo.com/moonshine-art

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Oil Painting Techniques - The Many Ways to Apply Oil Paint

Oil paint is one of the most versatile and adaptable painting mediums in existence today. There are many techniques and effects possible with oil paint. Oil paint can be applied in thin transparent glazes or washes, or the paint can be mixed to a thick buttery consistency and applied using a painting knife. There really appears to be no end to the wonderful ways you can create art with this amazing painting medium. This article will talk about some of the many ways you can use oil paint.

Dry brush

The dry brush technique involves using a small amount of oil paint straight from the tube. It is then brushed thinly onto your support with a bristle brush. This technique works particularly well with a rough surface. The raised parts of your surface pick up the paint, while the dips or valleys in your support do not. This creates a broken color effect where the color of your canvas shows through.

Painting On A Toned Ground

The white of a canvas can sometimes be too bright or have too much contrast which makes starting a painting a bit difficult. When you cover your support with a uniform toned ground, it makes it much easier to judge the values in your painting. You can use any color you like to tone your ground really, but the more popular approach is to use warm tones of red, yellows and browns, which provide a wonderful richness to the finished work.

Here is an example of how to paint on a toned ground using Burnt Umber and Yellow Ochre. First you create the wash by mixing the Burnt Umber and Yellow Ochre together with a paint thinner (use turpentine, or if you are like me, and are allergic to turpentine, use a water soluble oil paint). Apply the mixture generously to your support and completely cover it with a large bristle brush. Let this mixture stand for a couple of minutes and then wipe off the excess wash with a cloth.

Alla Prima Painting

Alla Prima painting, also known as "direct painting", is a technique of oil painting where the work is usually finished in just one sitting. You are probably familiar with the artist Bob Ross, who made this painting method quite popular on his TV Show. I am sure like me, you watched Bob paint in amazement as he completed a beautiful painting in under 30 mintues.

The paint is applied wet onto wet directly onto the canvas usually with no underpainting or sketches. It might be a good idea in the beginning to lay down a sketch with some thinned down oil paint. This way you will have a general idea where your colors will be placed. You must be careful using this technique as your painting can become quite muddy if you do not apply the colors correctly on your canvas. It takes practice, so don't be discouraged if your first, second or even third painting does not come out the way you anticipated. Keep practicing and let your imagination run wild. As Bob used to say, "It's Your World".

Working With Painting Knives

If you have never worked with painting knives, then it is highly recommended that you give them a try. This type of painting method is very different from traditional brush painting and when you lay down your first stroke of paint with a painting knife, you will immediately see why. Painting with a knife can be best described as spreading butter on a piece of bread and you should keep your painting at a butter or cream like consistency when using painting knives. Do not use your palette knives to paint with. They have a different construction and are not made for painting. Painting knives have more flexibility to them and come in a variety of different shapes and sizes. You can manipulate paint in a variety of different ways with a knife just by changing your hand position on the handle. You can hold your hand down low on the handle to smear the paint over your support. Move your hand up to the top of the handle and you can use your finger to gently push the blade into the paint to create small dabs of color. You can also turn your knife blade on its side for scraping away paint or for creating hard lines.

Glazing

If you never produced a painting using the glazing technique, then you should definitely give this a try as well. Your painting will have a different appearance then if you were to complete a painting using traditional color mixing techniques. Glazing tends to give colors more luminescence. The colors are not mixed together first before applying, rather, they are mixed optically using single transparent layers of color. For instance, if you wanted to create the color green using glazes, you would not mix yellow and blue together on your palette first. You would first apply a thin glaze of blue, wait until it dries, then apply a thin glaze of yellow, which would then create your green. Each layer must be completely dry before applying subsequent layers. Usually, the first step in using the glazing technique is to create a monochromatic (different values of the same color) underpainting of the subject. Using only one color will help you to focus on form and tone first, rather than being too preoccupied with color at this stage. Wait until your under painting is dry to begin applying your first layer of color. This technique is tricky and does require practice, but it is not as difficult as some may lead you to believe.

For more oil painting lessons and techniques be sure to visit Creative Spotlite today, a free online community for artists and crafters. It is also recommended that you visit the Creative Spotlite Art Instruction Blog, where you will find more painting lessons including step by step painting videos.



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Jack Vettriano Prints - The Painter of the Singing Butler

Beginnings

From very humble beginnings, Jack Vettriano has risen to become one of the most successful living artists. Born as Jack Hoggan in 1941 in Fife, Scotland, he grew up in an industrial landscape. Like most of his peers, he left school aged 16 and entered the coal mining industry as an apprentice mining engineer. It was some years before he began exploring the artistic talents which have given him world renown.

INSTAGRAM

His earliest paintings were copies of impressionist paintings but, in 1998 he submitted two canvases to the Royal Scottish Academy to be shown in their annual show. This marked a breakthrough in commercial terms for Vettriano as both paintings sold on the first day of the exhibition and, crucially, he was approached by other galleries who wanted to sell his output.

Other commercially successful exhibitions followed in places around the world including Edinburgh, London, Hong Kong, Johannesburg, and New York.

Jack Vettriano prints: $1m

Many art critics dismiss Vettriano's work as 'vulgar' and 'devoid of imagination'. This criticism doesn't seem to affect the sales of his work though. According to the daily UK newspaper, The Guardian, he earns £500,000 (around $1,000,000) a year in print royalties alone. Maybe his prints are so highly valued because they are very romantic and evocative of a bygone, more elegant age.

Singing Butler and Others

The Singing Butler, his most famous work, which romantically shows an elegant couple dancing on a beach attended by what seems to be a maid and a butler sells more posters and postcards than any other painting in the UK.

Billy Boys is another iconic Vettriano painting that crops up in print form in lots of stylish locations. Once again, it's a beach scene which shows four immaculately dressed young men strolling along the shoreline.

Almost Turneresque is the hugely romantic 'Dance Me To The End Of Love' which shows three couples, once again, elegantly dressed, dancing through a misty haze.

INSTAGRAM

Celebrity Client List

Vettriano has studios in Scotland and London. He is represented by the Portland Gallery, London and includes Jack Nicholson and Terence Conran amongst his collectors. In 2003 he was awarded the OBE.

Now it's easy to join the Celebrity Set and own your own copy of one of Vettriano's iconic and stylish paintings. Get the best deals on Jack Vettriano prints.

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15 Arts & Crafts Hacks You'd Wish You'd Known Sooner!

Affordable Paintings: Art Prints Buying Guide

The fastest way to bring beauty and style to a
room is to put up prints of beautiful paintings. Here's what you
should consider:

Painting Prints Price Range:

Expect
to pay somewhere in the neighborhood of $50-$500 for an unframed
print--anything less than $50 is likely a poster. You should
expect to pay a similar amount to have the print framed--note that many
prints are designed to be exhibited without frames.

Before
art prints were sold online, the only way to get them was through
galleries or museum shops, which had to charge a large markup.
Nowadays, art prints rarely cost more than a few hundred dollars, and
it is possible to find good-quality prints for under $100. Still,
those lower prices generally come on prints that have been put on
sale. Expect to pay more for perennial favorites like Van Gogh's
"Starry Night".

Selection

There
is at least one print of every painting or photograph on display in a
museum anywhere. Thanks to the internet, you can find the right
art print among the tens of thousands in existence and have it sent to
you, regardless of where the original is located. Since websites
will let you browse thumbnail images of the artwork, it's easy to find
a particular piece even if all you know about it is the name of the
artist or even just the time period in which it was created.

Painting Print Media

Prints are available in a variety of print stocks.

Prints vs. Original Paintings

If
all you're interested in is a picture to decorate your wall, rather
than in collecting, prints are a better value than original
paintings. Here's why:

* Expense.
Creating an original work of art generally takes weeks. If you
had to employ someone for several weeks or several months, how much do
you think it would cost at even a modest salary? That's why
original artwork generally costs at least thousands of dollars.
In order to have a real chance of your work of art having investment
value, you need to buy the work of an artist who is moving up in the
art market.

* Questionable
investment value. Original artwork only has investment value if
the price goes up eventually. Very often, the price does
not. In short, if you're interested in investing, buy
stocks--it's a safer bet. Only buy art because *you* value it.

* Knowledge.
You need to be very knowledgeable about what you are doing. Make
no mistake: there's plenty of fraud in this business. There is
also plenty of wishful thinking on the part of art dealers when it
comes to a work's long-term market prospects

Ready
to make your home more beautiful with prints of great paintings?
You're already in the right place: the internet has numerous websites
offering an unbelievable array of art prints. Start looking now.

Joel Walsh has written a buying guide for art prints at: paintings [http://www.a1-paintings.com]:[http://www.a1-paintings.com]

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Fluid Art STRING PULLING

Abstract painting - When we met