Showing posts with label canvasframe. Show all posts
Showing posts with label canvasframe. Show all posts
Saturday, February 8, 2020
Saturday, February 1, 2020
Wednesday, January 29, 2020
Saturday, January 18, 2020
Painting Styles - Painting Has Undergone Variety Of Experiments
Paintings manifest the thoughts and visions of human beings through the language of art. A wide array of painting styles, methods and techniques has enhanced the horizon of painting making it more enriched and versatile. Painting has undergone variety of experiments under the hands of the master artists, which resulted into a vast selection of painting styles. The core philosophy behind the artwork, the painting styles introduce us to the various movements and schools of art. A single style also serves as a record of a particular historical period and culture prevalent during the time. Painters generally opt a particular painting style and carve their portraits typifying that specific style. Hence it is very necessary to read the various painting styles to understand the subtle strokes of each artwork.
The painting styles are visible with the emergence of 'Romanesque Art' in the eleventh century. The Romanesque paintings characterized by decorative leaf motifs are to be viewed in all Roman imperial structures. The 'Gothic Style of Paintings' evolved in the mid twelfth century in the form of frescos, panel paintings, manuscripts and stained glasses.
Oil and canvas paintings became popular in the later time with the origin of the 'Renaissance Style of Art' in the fourteenth century. Art became more realistic and secular through linear forms, anatomical shapes and use of light and shadow. The legendaries of paintings Raphael, Michelangelo and Leonardo da Vinci were artists of the Renaissance period. 'Baroque Style of Painting' evolved in the seventeenth century with the 'Baroque Cultural Movement'. Highly passionate, the paintings enlivened an ongoing action into art.
The 'Impressionism' of the nineteenth century world is articulated through 'Impressionistic Paintings'. Ordinary themes from the nature and surrounding world were painted through distinct brush strokes. 'Pointillism' invoked a new technique of painting where tiny dots of primary colors were blended to form an image creating an impression of miscellaneous colors. 'Expressionistic Paintings' of the early twentieth century are artistic expressions of subjective emotions that painters experience from the subjective world.
Among the modern styles of paintings, 'Cubism' is popular. A precursor to abstract painting 'Cubic Paintings' introduced geometric shapes and figures as images. Pablo Picasso, Georges Braque and Marc Chagall are the noted painters of Cubism. Another famous painting style during the1920s was the 'Surrealistic Paintings'. The painters used beautiful images and incongruous juxtapositions to represent unconscious thoughts and dreams. The 'Dada Painting Styles' of the time of the First World War represented art works that conveyed a nihilistic attitude towards conventionalism. The paintings were a revolt against the aesthetic and contemporary style of art.
Abstract Painting is perhaps the most difficult and complex of all painting styles. Painting is portrayed in an objective and non-representational way through colors and lines. The paints are dropped, lined and smeared over the canvas generating an idea non-captured in image form. Jackson Pollock, Pier Mondrian and Barnett Newman are some famous abstract painters. Abstract Expressionism is an art movement of the post World War II. It emphasized the non-representational style of abstract art in a more audacious and dramatic way. Postmodern Art reflects the modern consumerism and the contemporary culture in the paintings. It rejects the elaborately narrative depictions of the modern art and emphasizes more on the insincerity and discontinuity that is more feasible in the present day.
For comprehensive information on paintings and related topics, please visit Ethnic Paintings
Amit Singh is Content Coordinator for http://ethnicpaintings.com This website gives you comprehensive informations on painting history, development, trends, popular painting styles, great painters, famous paintings, painting galleries and museums, painting tips, painting classes. In other words, this website is a treat to painting freaks.
Article Source: https://EzineArticles.com/expert/Amitseo_Kumar_Singh/179772
The painting styles are visible with the emergence of 'Romanesque Art' in the eleventh century. The Romanesque paintings characterized by decorative leaf motifs are to be viewed in all Roman imperial structures. The 'Gothic Style of Paintings' evolved in the mid twelfth century in the form of frescos, panel paintings, manuscripts and stained glasses.
Oil and canvas paintings became popular in the later time with the origin of the 'Renaissance Style of Art' in the fourteenth century. Art became more realistic and secular through linear forms, anatomical shapes and use of light and shadow. The legendaries of paintings Raphael, Michelangelo and Leonardo da Vinci were artists of the Renaissance period. 'Baroque Style of Painting' evolved in the seventeenth century with the 'Baroque Cultural Movement'. Highly passionate, the paintings enlivened an ongoing action into art.
The 'Impressionism' of the nineteenth century world is articulated through 'Impressionistic Paintings'. Ordinary themes from the nature and surrounding world were painted through distinct brush strokes. 'Pointillism' invoked a new technique of painting where tiny dots of primary colors were blended to form an image creating an impression of miscellaneous colors. 'Expressionistic Paintings' of the early twentieth century are artistic expressions of subjective emotions that painters experience from the subjective world.
Among the modern styles of paintings, 'Cubism' is popular. A precursor to abstract painting 'Cubic Paintings' introduced geometric shapes and figures as images. Pablo Picasso, Georges Braque and Marc Chagall are the noted painters of Cubism. Another famous painting style during the1920s was the 'Surrealistic Paintings'. The painters used beautiful images and incongruous juxtapositions to represent unconscious thoughts and dreams. The 'Dada Painting Styles' of the time of the First World War represented art works that conveyed a nihilistic attitude towards conventionalism. The paintings were a revolt against the aesthetic and contemporary style of art.
Abstract Painting is perhaps the most difficult and complex of all painting styles. Painting is portrayed in an objective and non-representational way through colors and lines. The paints are dropped, lined and smeared over the canvas generating an idea non-captured in image form. Jackson Pollock, Pier Mondrian and Barnett Newman are some famous abstract painters. Abstract Expressionism is an art movement of the post World War II. It emphasized the non-representational style of abstract art in a more audacious and dramatic way. Postmodern Art reflects the modern consumerism and the contemporary culture in the paintings. It rejects the elaborately narrative depictions of the modern art and emphasizes more on the insincerity and discontinuity that is more feasible in the present day.
For comprehensive information on paintings and related topics, please visit Ethnic Paintings
Amit Singh is Content Coordinator for http://ethnicpaintings.com This website gives you comprehensive informations on painting history, development, trends, popular painting styles, great painters, famous paintings, painting galleries and museums, painting tips, painting classes. In other words, this website is a treat to painting freaks.
Article Source: https://EzineArticles.com/expert/Amitseo_Kumar_Singh/179772
Wednesday, January 15, 2020
Art Supplies - Buying and Cleaning Paint Brushes
Remember when you were in grade school and painting seemed so simple because your teacher just handed you art supplies and helped wash brushes afterwards? Approaching the medium as a more mature artist, you must learn about paintbrush materials and how to properly care for your brushes.
First, you must decide whether you will need soft or stiff hairs for your paintbrush. Either can be made of natural hairs or synthetic fibers. A thin paintbrush is ideal when you want to do detailed work or precise painting. It allows you to spread paint easily. Hard bristles on the other hand are better for manipulating thick paint. This allows you to create brush marks in the paint that can be seen on the canvas. Vincent van Gogh's work is famous for this technique, as evidenced by his painting The Starry Night.
Most purists will say that natural hair will always be superior to synthetic fiber because of its flexibility and strength. The hair for paintbrushes comes from animals including Sable, squirrel, hog, camel, ox, pony and goat. If the thought of using hair from one of these animals makes you squeamish or you have ideological problems with this, do not fear: modern synthetic brushes have come a long way and are even less expensive than their natural hair counterparts.
The next step is to learn a little bit about paintbrush anatomy. The handle is usually made of wood and is called the ferrule. This holds the hairs or bristles. The tip of the bristles is referred to as the toe.
When deciding which paintbrush to use it is important to know the size of the brush. This can be determined by looking at a number on the side of the handle. The smallest size is 00 followed by 0, 1, 2 and so on. If you are buying online it is important to see a picture of the brush you're purchasing. Two brushes sized the same can actually be very different because of the number of bristles and the width of the handle. This problem can be alleviated if you shop in an actual store or are already familiar with the brand of brush.
It takes a lot of time and money to get the right paintbrush, so it makes sense to take care of them, which includes proper cleaning after each use.
Before you get started, make sure you have mild soap (or turpentine if appropriate) and some tissue. You will also need lukewarm water and a place to dry your brushes.
Wipe off the excess paint using a soft cloth or tissue. Then, rinse your brushes in turpentine if you are using oils, but use lukewarm water if you're paint is water-based. Hot water can cause the hairs of your brush to fall out. Afterwards, gently wash your brushes with mild soap. Rinse and repeat as many times as necessary until no color comes out and your brush returns to its original color. Next rinse your paintbrush in clean water. Remember to shake off the excess water after this. If the brushes seem misshapen, use your fingers to gently bring the brush head back to its original shape.
Now you are ready to dry the paintbrushes. Wrap the bristles in tissue or toilet paper while they are wet. When the bristles dry they will contract in this way and will maintain their shape. Let the brushes dry at room temperature. Be sure not to rest them on their head because this is another potential hazard to maintaining appropriate shape.
Since some of these materials can be toxic protect your skin with a pair of gloves. These can be purchased at an art store or even at a drugstore or hardware store.
Anne Clarke writes numerous articles for Web sites on art supplies, fashion, and home decor. Her background also includes teaching, gardening, and parenting. For more of her useful articles on art supplies, please visit Art Supplies, home of helpful tips and information about art and art supplies.
Article Source: https://EzineArticles.com/expert/Anne_Clarke/33662
First, you must decide whether you will need soft or stiff hairs for your paintbrush. Either can be made of natural hairs or synthetic fibers. A thin paintbrush is ideal when you want to do detailed work or precise painting. It allows you to spread paint easily. Hard bristles on the other hand are better for manipulating thick paint. This allows you to create brush marks in the paint that can be seen on the canvas. Vincent van Gogh's work is famous for this technique, as evidenced by his painting The Starry Night.
Most purists will say that natural hair will always be superior to synthetic fiber because of its flexibility and strength. The hair for paintbrushes comes from animals including Sable, squirrel, hog, camel, ox, pony and goat. If the thought of using hair from one of these animals makes you squeamish or you have ideological problems with this, do not fear: modern synthetic brushes have come a long way and are even less expensive than their natural hair counterparts.
The next step is to learn a little bit about paintbrush anatomy. The handle is usually made of wood and is called the ferrule. This holds the hairs or bristles. The tip of the bristles is referred to as the toe.
When deciding which paintbrush to use it is important to know the size of the brush. This can be determined by looking at a number on the side of the handle. The smallest size is 00 followed by 0, 1, 2 and so on. If you are buying online it is important to see a picture of the brush you're purchasing. Two brushes sized the same can actually be very different because of the number of bristles and the width of the handle. This problem can be alleviated if you shop in an actual store or are already familiar with the brand of brush.
It takes a lot of time and money to get the right paintbrush, so it makes sense to take care of them, which includes proper cleaning after each use.
Before you get started, make sure you have mild soap (or turpentine if appropriate) and some tissue. You will also need lukewarm water and a place to dry your brushes.
Wipe off the excess paint using a soft cloth or tissue. Then, rinse your brushes in turpentine if you are using oils, but use lukewarm water if you're paint is water-based. Hot water can cause the hairs of your brush to fall out. Afterwards, gently wash your brushes with mild soap. Rinse and repeat as many times as necessary until no color comes out and your brush returns to its original color. Next rinse your paintbrush in clean water. Remember to shake off the excess water after this. If the brushes seem misshapen, use your fingers to gently bring the brush head back to its original shape.
Now you are ready to dry the paintbrushes. Wrap the bristles in tissue or toilet paper while they are wet. When the bristles dry they will contract in this way and will maintain their shape. Let the brushes dry at room temperature. Be sure not to rest them on their head because this is another potential hazard to maintaining appropriate shape.
Since some of these materials can be toxic protect your skin with a pair of gloves. These can be purchased at an art store or even at a drugstore or hardware store.
Anne Clarke writes numerous articles for Web sites on art supplies, fashion, and home decor. Her background also includes teaching, gardening, and parenting. For more of her useful articles on art supplies, please visit Art Supplies, home of helpful tips and information about art and art supplies.
Article Source: https://EzineArticles.com/expert/Anne_Clarke/33662
Monday, January 13, 2020
Learn How To Paint Watercolors Fast - Use Only 1 Color
Learning to paint fast is difficult. Some say it feels impossible...
But it doesn't have to be so hard...
Like all skills, whether in Arts, Crafts or any profession the trick is to remove complication. Watch any expert work and you will be amazed how quickly they make the impossible seem easy...
Think of a Blacksmith making horseshoes on his anvil...
He knows how to make the fire hot enough to make the metal soft without melting
He knows that every strike of his hammer will shape and mould the steel
He knows just how to trim the hoof to make the shoe fit
He never doubts his ability to give the horse he makes the shoes for exactly what is needed for comfort and wear
It is an honor to see a craftsman at work. It is a privilege to witness the accumulation of many years hands-on knowledge.
Learning to be an artist takes time. Learning to paint professionally can take many years...
The fastest way to learn to paint watercolors is to take it in small stages... starting simple and building painting skills with small steps.
The first step is to paint watercolor using 1 color... it can't get any simpler...
You learn how to thin watercolor paint with your brush
You learn how much water you need to get a certain tone of color
You learn how to use water to carry color pigment across your watercolor paper
You learn what can go wrong when you touch your wet paper with a brush full of color
You learn to expect surprises
You learn to want to encourage surprises by experimenting with new techniques
And, most importantly, you get the opportunity to learn to draw with your watercolor brush... You learn how to make your brush become your best friend.
When you use only 1 color to learn how to paint watercolors it is easy to concentrate...
You can quickly learn how to get color tone right
You soon learn that color will flood and spread across wet paper
You know that if an earlier wash is fully dry it will be spoiled if you let your next brush mark touch
You find yourself doing amazing things with watercolors fast because you don't have to worry about which colors you need to mix that favorite green, or the orange you saw in last night's sunset.
Learning how to paint watercolors using only 1 color helps you learn fast because you don't even need to worry about making mistakes...
It is quick and easy to do it again because you have kept it simple
You have perfected the basics of learning watercolor painting
Perfect the basics of watercolor painting and nothing can stop you from mastering the next stage... Learning How To Mix Colors.
Michael Dale is the author of 1- Color Is Best (the quick and easy way to learn to paint watercolor) and 3- Colors Are All You Need (mix any color you want fast using only 3 colors). Contact [http://www.Paint-And-Draw.com] to find out more.
Article Source: https://EzineArticles.com/expert/Michael_Dale/145082
But it doesn't have to be so hard...
Like all skills, whether in Arts, Crafts or any profession the trick is to remove complication. Watch any expert work and you will be amazed how quickly they make the impossible seem easy...
Think of a Blacksmith making horseshoes on his anvil...
He knows how to make the fire hot enough to make the metal soft without melting
He knows that every strike of his hammer will shape and mould the steel
He knows just how to trim the hoof to make the shoe fit
He never doubts his ability to give the horse he makes the shoes for exactly what is needed for comfort and wear
It is an honor to see a craftsman at work. It is a privilege to witness the accumulation of many years hands-on knowledge.
Learning to be an artist takes time. Learning to paint professionally can take many years...
The fastest way to learn to paint watercolors is to take it in small stages... starting simple and building painting skills with small steps.
The first step is to paint watercolor using 1 color... it can't get any simpler...
You learn how to thin watercolor paint with your brush
You learn how much water you need to get a certain tone of color
You learn how to use water to carry color pigment across your watercolor paper
You learn what can go wrong when you touch your wet paper with a brush full of color
You learn to expect surprises
You learn to want to encourage surprises by experimenting with new techniques
And, most importantly, you get the opportunity to learn to draw with your watercolor brush... You learn how to make your brush become your best friend.
When you use only 1 color to learn how to paint watercolors it is easy to concentrate...
You can quickly learn how to get color tone right
You soon learn that color will flood and spread across wet paper
You know that if an earlier wash is fully dry it will be spoiled if you let your next brush mark touch
You find yourself doing amazing things with watercolors fast because you don't have to worry about which colors you need to mix that favorite green, or the orange you saw in last night's sunset.
Learning how to paint watercolors using only 1 color helps you learn fast because you don't even need to worry about making mistakes...
It is quick and easy to do it again because you have kept it simple
You have perfected the basics of learning watercolor painting
Perfect the basics of watercolor painting and nothing can stop you from mastering the next stage... Learning How To Mix Colors.
Michael Dale is the author of 1- Color Is Best (the quick and easy way to learn to paint watercolor) and 3- Colors Are All You Need (mix any color you want fast using only 3 colors). Contact [http://www.Paint-And-Draw.com] to find out more.
Article Source: https://EzineArticles.com/expert/Michael_Dale/145082
Friday, December 20, 2019
Choosing The Right Brushes For Oil Painting
Paint brushes come in a variety of shapes, sizes, materials, and costs. Determining which one is right for you, and when it is the right one, depends largely on how you want to use it. The main types of brushes are china bristle, soft hair, and synthetic bristle.
China Bristle Brushes
China bristle brushes, also called hog bristle or Chungking bristle, are made from natural pig hair. They are tough, durable brushes, able to stand up to the oil while still cleaning up nicely. They can hold a lot of paint, making them ideal for alla prima painting or impasto.
Soft Hair Brushes
Soft hair brushes are made from Kolinsky sable or ox hair, or more rarely squirrel, pony, goat, mongoose or badger. Soft hair brushes are much softer than china bristles, and a lot more expensive. It's not unheard of to pay several hundred dollars for a large sable brush. But for more delicate work, like blending and glazing, soft hair brushes are indispensable.
Synthetic Bristle Brushes
For quality and affordability, you can't go wrong with synthetic bristle brushes. Though turpentine or thinners used in oil painting can destroy some types of synthetic brushes, recent innovations in synthetic bristle technology have produced solvent resistant brushes.
Be careful, though. While affordability is a legitimate consideration when choosing your brushes, don't let it be the main one. Those brushes in the multi-packs may look just as good as the others, at a fraction of the cost, but you will end up with brushes warped and falling apart in no time.
Brush Shapes
Paint brushes come in several shapes, each designed to apply the paint in specific ways. The most useful shapes you will use in oil painting, in no particular order, are:
Flat - Designed to spread paint quickly and evenly to an area.
Bright - Similar to a flat brush, but with short, stiff bristles. Great for impasto work.
Round - Long, closely arranged bristles used for drawing or detail work.
Filbert - These almond-shaped brushes offer good coverage and the ability to perform some detail work
Fan Brush - Used for blending broad areas and creating different textures.
Liner Brush - Used for lettering and fine detail work.
By no means do you have to use, or even have, all of these brushes. Experiment and find the shape that works for you.
Brush Sizes
Brushes are sized by numbers based on the width of the brush at the metal sleeve, or ferrule, which holds the bristles in place. The size of your painting surface will help determine the size of the brush you use. For example, a brush that is 2 inches wide will be used on a canvas that is at least two or three feet in either direction.
However, this is just a rule of thumb. As with brush shapes, the sizes you choose will ultimately be determined by personal preference. So go get some brushes and start painting.
To learn more, please visit me at [http://www.oilandpigment.blogspot.com] for a look at my own paintings and works in progress.
Article Source: https://EzineArticles.com/expert/Rob_Pitts/88587
China Bristle Brushes
China bristle brushes, also called hog bristle or Chungking bristle, are made from natural pig hair. They are tough, durable brushes, able to stand up to the oil while still cleaning up nicely. They can hold a lot of paint, making them ideal for alla prima painting or impasto.
Soft Hair Brushes
Soft hair brushes are made from Kolinsky sable or ox hair, or more rarely squirrel, pony, goat, mongoose or badger. Soft hair brushes are much softer than china bristles, and a lot more expensive. It's not unheard of to pay several hundred dollars for a large sable brush. But for more delicate work, like blending and glazing, soft hair brushes are indispensable.
Synthetic Bristle Brushes
For quality and affordability, you can't go wrong with synthetic bristle brushes. Though turpentine or thinners used in oil painting can destroy some types of synthetic brushes, recent innovations in synthetic bristle technology have produced solvent resistant brushes.
Be careful, though. While affordability is a legitimate consideration when choosing your brushes, don't let it be the main one. Those brushes in the multi-packs may look just as good as the others, at a fraction of the cost, but you will end up with brushes warped and falling apart in no time.
Brush Shapes
Paint brushes come in several shapes, each designed to apply the paint in specific ways. The most useful shapes you will use in oil painting, in no particular order, are:
Flat - Designed to spread paint quickly and evenly to an area.
Bright - Similar to a flat brush, but with short, stiff bristles. Great for impasto work.
Round - Long, closely arranged bristles used for drawing or detail work.
Filbert - These almond-shaped brushes offer good coverage and the ability to perform some detail work
Fan Brush - Used for blending broad areas and creating different textures.
Liner Brush - Used for lettering and fine detail work.
By no means do you have to use, or even have, all of these brushes. Experiment and find the shape that works for you.
Brush Sizes
Brushes are sized by numbers based on the width of the brush at the metal sleeve, or ferrule, which holds the bristles in place. The size of your painting surface will help determine the size of the brush you use. For example, a brush that is 2 inches wide will be used on a canvas that is at least two or three feet in either direction.
However, this is just a rule of thumb. As with brush shapes, the sizes you choose will ultimately be determined by personal preference. So go get some brushes and start painting.
To learn more, please visit me at [http://www.oilandpigment.blogspot.com] for a look at my own paintings and works in progress.
Article Source: https://EzineArticles.com/expert/Rob_Pitts/88587
Friday, December 13, 2019
Five Most Common Problems Beginner Painters Have
For people who are interested in learning how to paint with either acrylic or oil paint may experience a few common learning problems. These are the most common problems people have when they are learning how to paint. You can overcome these common problems with some basic knowledge and problem solving skills that will eventually get you past these difficulties.
There are five common problems beginner painters have:
1. Very little experience in drawing prior to learning how to paint.
You really need to have some knowledge or experience in beginning drawing before you ever pick up a paint brush. Using a pencil to draw is a lot easier skill than using a paint brush. You should have some basic knowledge about shapes, forms, lines, and values (shading) to enable you to understand how to manipulate colors in your paint. You need to take your time and not hurry through your drawing in order to get the composition of your picture placed in the most effective way in your picture. If you can draw out the picture in a sketch book prior to actually drawing it on your canvas; this will help to iron out any problems that may arise with your composition. Having some skill and practice at the drawing level will definitely help you have a more successful painting.
2. Not being organized from the beginning with how you set up your palette.
When you first learn how to paint you need to be organized with all your paint colors from the beginning. That means to set out your paints on your palette in the same order every time. Try to leave the most room on your palette for mixing your colors. You will have to mix just about every color you use to paint with so you need to have room on your palette for these color mixtures. As a beginner, you will be using trial and error to get the color you want and this will take time and practice to learn which colors you need to mix together to get what you want. If you put your paints out all over your palette with no apparent order, you will not have any room for mixing and will end up having to clean off your palette and starting with a clean palette.
3. Not putting enough paint on your palette the first time.
Many beginner painters will squeeze out a tiny bit of paint on their palette and find that they run out of that particular color rather rapidly and need to get more from the tube again. This can be a problem when you are using that particular color to mix with to make another color with. Don't be stingy with the paint, it is OK to squeeze out a generous amount of paint onto the palette. The paint will stay moist for several days (especially if you put it in the refrigerator) You will use up the paint eventually.
4. Brush work problems of over-doing the brush strokes,
Another common problem beginner painters have is they repeatedly paint over the same area inadvertently ending up with mud. There is a tendency to keep on stroking the same area in the hope it will magically change into something they are trying to do. Unfortunately painting doesn't work that way. Each paint stroke needs to be thought out carefully and done in a way that will not interfere with the other colors. Some of the color do not go together well and this may be the cause of the "mud" in the end. It is very frustrating for the beginner painter to encounter this problem. It is a matter of learning the color theory and learning more skill at handling the paint brush. This comes with time and experience.
5. Forgetting to clean the paint brush frequently and especially between colors.
It is vital to clean your brush frequently while you are painting. Especially when changing to a different color. For a beginning painter it is very easy to forget to clean the brush and accidentally contaminate one of your lighter colors with a previous darker color you were using. This can happen either on the palette or on the canvas. If it happens on the canvas it can sometimes be difficult to fix the area, you may have to just wipe the area off and start again. Even if you don't clean your brush off in the turp solvent, you can still just wipe it off on a paper towel or a rag and that will help.
Article Source: https://EzineArticles.com/expert/Marilou_O'Loughlin/208858
There are five common problems beginner painters have:
1. Very little experience in drawing prior to learning how to paint.
You really need to have some knowledge or experience in beginning drawing before you ever pick up a paint brush. Using a pencil to draw is a lot easier skill than using a paint brush. You should have some basic knowledge about shapes, forms, lines, and values (shading) to enable you to understand how to manipulate colors in your paint. You need to take your time and not hurry through your drawing in order to get the composition of your picture placed in the most effective way in your picture. If you can draw out the picture in a sketch book prior to actually drawing it on your canvas; this will help to iron out any problems that may arise with your composition. Having some skill and practice at the drawing level will definitely help you have a more successful painting.
2. Not being organized from the beginning with how you set up your palette.
When you first learn how to paint you need to be organized with all your paint colors from the beginning. That means to set out your paints on your palette in the same order every time. Try to leave the most room on your palette for mixing your colors. You will have to mix just about every color you use to paint with so you need to have room on your palette for these color mixtures. As a beginner, you will be using trial and error to get the color you want and this will take time and practice to learn which colors you need to mix together to get what you want. If you put your paints out all over your palette with no apparent order, you will not have any room for mixing and will end up having to clean off your palette and starting with a clean palette.
3. Not putting enough paint on your palette the first time.
Many beginner painters will squeeze out a tiny bit of paint on their palette and find that they run out of that particular color rather rapidly and need to get more from the tube again. This can be a problem when you are using that particular color to mix with to make another color with. Don't be stingy with the paint, it is OK to squeeze out a generous amount of paint onto the palette. The paint will stay moist for several days (especially if you put it in the refrigerator) You will use up the paint eventually.
4. Brush work problems of over-doing the brush strokes,
Another common problem beginner painters have is they repeatedly paint over the same area inadvertently ending up with mud. There is a tendency to keep on stroking the same area in the hope it will magically change into something they are trying to do. Unfortunately painting doesn't work that way. Each paint stroke needs to be thought out carefully and done in a way that will not interfere with the other colors. Some of the color do not go together well and this may be the cause of the "mud" in the end. It is very frustrating for the beginner painter to encounter this problem. It is a matter of learning the color theory and learning more skill at handling the paint brush. This comes with time and experience.
5. Forgetting to clean the paint brush frequently and especially between colors.
It is vital to clean your brush frequently while you are painting. Especially when changing to a different color. For a beginning painter it is very easy to forget to clean the brush and accidentally contaminate one of your lighter colors with a previous darker color you were using. This can happen either on the palette or on the canvas. If it happens on the canvas it can sometimes be difficult to fix the area, you may have to just wipe the area off and start again. Even if you don't clean your brush off in the turp solvent, you can still just wipe it off on a paper towel or a rag and that will help.
Article Source: https://EzineArticles.com/expert/Marilou_O'Loughlin/208858
Wednesday, December 11, 2019
Friday, December 6, 2019
Weekend Big Screen Feature: "The Secret of Drawing" Episode 4: "Drawing by Design"
Every weekend we feature a full length art movie / Documentary! So grab the popcorn and enjoy!
Friday, November 29, 2019
Weekend Big Screen Feature: "The Secret of Drawing" Episode 3: "All In The Mind"
Every weekend we feature a full length art movie / Documentary! So grab the pop corn and enjoy!
Wednesday, November 20, 2019
Wednesday, August 28, 2019
Vietnamese Painting - Brushing Excellence On Canvas
There is nothing more beautiful than an artwork that stimulates aesthetic pleasure. Such aesthetic experience acts as a catalyst to enhance our happiness. Earlier, the classical works of art drew heavily from nature's beauty. But of late, modern art work chiefly draws inspiration from the mundane life of man. In other words, modern art captures both material and the spiritual on an equal plane. This trend of depicting the various aspects of human life is clearly evident in the paintings of Vietnam.
http://www.vietnamartist.com/product/summer-morning/
From a historical perspective, Vietnamese painting is not a very old art form. It's been only seventy years since the first official art academy of Hanoi, the Ecole de Beaux Arts, opened its doors to local students. However, the cultural origin of Vietnamese painting dates back much further. There has been a consistent effort on part of the Vietnamese people to devote themselves in serious artwork. When the first lessons in line, drawing, anatomy and landscape painting were offered in the early decades of the twentieth century, the art students began taking inspiration from the religious and cultural background of Vietnam. These new learners of art sketched their native villages and fellow farmers in the canvas following the lacquer and silk traditions. During the French colonial period, the students of art took to painting readily as they already possessed the materials needed to create a painting. Once the means to convey their artwork was secured, the new generation of painters began to produce an amazing variety of exquisite paintings. The vision of the past has changed but even today, artists of Vietnam keep on drawing inspiration from the past.
Connoisseurs of art, especially from the West, often complain of the deep influence of Europe in Vietnamese paintings. However, it is surprising to note that modern Vietnam artists still prefer to paint in the age of digital images and multimedia! Yet, if we analyze closely the environment in which the Vietnam artists live and work, we would conclude that painting suits the sensibilities of the Vietnamese artists as it incorporates the century-old cultural and religious motifs of the people. Besides, this expression of art is most immediately available to them. The European touch in Vietnamese painting is by no means accidental, but deliberate. A majority of Vietnamese painters love and appreciate the Western art and hence try to apply some of their techniques in their paintings so that the world would look up to them and give equal weightage to Vietnamese art. The West has not inspired the subject matter of Vietnamese paintings; rather the latter conveys the intricacies of the cultural and social life of Vietnam. Vietnamese artists, like other artists of the world, are moved by their environment and have taken recourse to a delicate way to voice their sentiments through color and poetic imagery.
For a great many years, Vietnamese painters struggled to give free rein to their expression on canvas. Lack of opportunities and adequate funds had created great obstacles to the success and recognition of Vietnam painting. Scarcity of information from the West set their imagination free and Vietnamese art thrived with luxuriance. Overcoming all these obstacles, the Vietnam artists showed their skill to paint under any adverse circumstances. Their resilience and determination are clearly mirrored in the originality and freshness of Vietnamese paintings.
Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries.
Vietnamese Fine Art
Article Source: https://EzineArticles.com/expert/Suzanne_Macguire/49516
Article Source: http://EzineArticles.com/582513
http://www.vietnamartist.com/product/summer-morning/
From a historical perspective, Vietnamese painting is not a very old art form. It's been only seventy years since the first official art academy of Hanoi, the Ecole de Beaux Arts, opened its doors to local students. However, the cultural origin of Vietnamese painting dates back much further. There has been a consistent effort on part of the Vietnamese people to devote themselves in serious artwork. When the first lessons in line, drawing, anatomy and landscape painting were offered in the early decades of the twentieth century, the art students began taking inspiration from the religious and cultural background of Vietnam. These new learners of art sketched their native villages and fellow farmers in the canvas following the lacquer and silk traditions. During the French colonial period, the students of art took to painting readily as they already possessed the materials needed to create a painting. Once the means to convey their artwork was secured, the new generation of painters began to produce an amazing variety of exquisite paintings. The vision of the past has changed but even today, artists of Vietnam keep on drawing inspiration from the past.
Connoisseurs of art, especially from the West, often complain of the deep influence of Europe in Vietnamese paintings. However, it is surprising to note that modern Vietnam artists still prefer to paint in the age of digital images and multimedia! Yet, if we analyze closely the environment in which the Vietnam artists live and work, we would conclude that painting suits the sensibilities of the Vietnamese artists as it incorporates the century-old cultural and religious motifs of the people. Besides, this expression of art is most immediately available to them. The European touch in Vietnamese painting is by no means accidental, but deliberate. A majority of Vietnamese painters love and appreciate the Western art and hence try to apply some of their techniques in their paintings so that the world would look up to them and give equal weightage to Vietnamese art. The West has not inspired the subject matter of Vietnamese paintings; rather the latter conveys the intricacies of the cultural and social life of Vietnam. Vietnamese artists, like other artists of the world, are moved by their environment and have taken recourse to a delicate way to voice their sentiments through color and poetic imagery.
For a great many years, Vietnamese painters struggled to give free rein to their expression on canvas. Lack of opportunities and adequate funds had created great obstacles to the success and recognition of Vietnam painting. Scarcity of information from the West set their imagination free and Vietnamese art thrived with luxuriance. Overcoming all these obstacles, the Vietnam artists showed their skill to paint under any adverse circumstances. Their resilience and determination are clearly mirrored in the originality and freshness of Vietnamese paintings.
Suzanne Macguire is an Internet marketing professional with expertise in content development and technical writing in a variety of industries.
Vietnamese Fine Art
Article Source: https://EzineArticles.com/expert/Suzanne_Macguire/49516
Article Source: http://EzineArticles.com/582513
Friday, August 23, 2019
Paint Brushes Are An Investment
Brushes are the most important painter's tools. Buying brushes is not just a random decision, but one that should be made carefully. Selection of brushes is personal and is based upon needs and level of investment desired. Because a brush will only last as well as it is cared for, proper cleaning and storage of brushes is probably even more important than the decision of what brush to buy. Because no matter how wonderful a brush is, if it is abused it will quickly be discarded.
Types of Brushes
The hair of the brush is what primarily denotes what type of brush it is and it's purpose. Although natural hair brushes usually cost more, they do not all create the same results. Sable hair brushes are probably the most popular brushes. They are soft haired brushes that move the paint easily and keep their point. Sable brushes are great for watercolor. Hog hair is also used to make brushes, but has a very different effect with media. Hog hair brushes are stiff brushes for heavy paint and will leave brush strokes behind. They have spilt ends and hold more paint and are used in oil painting. Synthetic brushes are also common for artists to use. These are generally less expensive, but still produce quality work. Paint brushes are an artist tools and several different types are needed depending on the project and desired result sought. More expensive brushes keep their shape after a stroke and do not fishtail or bend when paint is applied to paper or canvas and therefore have a more professional result. Less expensive brushes may be suited for some jobs, especially when used in crafts and with products like glue. The other factor identifying a brush is the handle. Traditionally long handled brushes are used for oil painting because the artist is standing at an easel. Shorter handled brushes are for watercolor and acrylics because the artist is sitting and painting in greater detail.
Cleaning and Care for Brushes
Because how well a brush is cared for effects how long the brush will last, extra effort put in to properly care for these important tools will be well worth the time. All brushes will eventually wear out and will then need to be replaced, but lengthening the span of time before that is necessary will help the budget. Cleaning is crucial to extending the life of a brush. Each brush should be cleaned immediately after use. Use a mild soap and clean in the palm of the hand. Rinse thoroughly and when water runs clear, lay the brush flat to dry. It should not be left vertical to dry as this will cause water to be pulled into the handle and will ultimately cause the handle to loosen and the brush will no longer be usable. Paint brushes should never be left sitting in a glass of water. Other than the effect it will have on the handle, it will crush the bristles. If the brushes are soaked, use a brush container that will suspend them and only fill the water to soak the bristles and not the ferrule or handle. After the paint brush is cleaned and dried it may be stored upright, or in a flat brush holder. Cleaning brushes is not only done at the end of a painting session, but should be done as needed. As a person is painting, effort should be made to keep paint away from the ferrule of the brush, but inevitably will naturally be drawn up the brush. As the paint gets close to the ferrule, it should then be cleaned. This is to prevent the paint from getting under the ferrule and drying there. Natural hair brushes also need to be conditioned on a regular basis. There are paint brush soaps that come with conditioners in them, or conditioner can be bought separately.
Make the investment of brushes one that will be used wisely. The results that a good paint brush produces are worth the initial cost, but only if the effort is made to care for them and extend the value of the investment.
Emma Snow is a creator at Craft Kits http://www.craft-kits.net leading portals for crafts and creative individuals.
Article Source: https://EzineArticles.com/expert/Emma_Snow/34756
Article Source: http://EzineArticles.com/556704
Types of Brushes
The hair of the brush is what primarily denotes what type of brush it is and it's purpose. Although natural hair brushes usually cost more, they do not all create the same results. Sable hair brushes are probably the most popular brushes. They are soft haired brushes that move the paint easily and keep their point. Sable brushes are great for watercolor. Hog hair is also used to make brushes, but has a very different effect with media. Hog hair brushes are stiff brushes for heavy paint and will leave brush strokes behind. They have spilt ends and hold more paint and are used in oil painting. Synthetic brushes are also common for artists to use. These are generally less expensive, but still produce quality work. Paint brushes are an artist tools and several different types are needed depending on the project and desired result sought. More expensive brushes keep their shape after a stroke and do not fishtail or bend when paint is applied to paper or canvas and therefore have a more professional result. Less expensive brushes may be suited for some jobs, especially when used in crafts and with products like glue. The other factor identifying a brush is the handle. Traditionally long handled brushes are used for oil painting because the artist is standing at an easel. Shorter handled brushes are for watercolor and acrylics because the artist is sitting and painting in greater detail.
Cleaning and Care for Brushes
Because how well a brush is cared for effects how long the brush will last, extra effort put in to properly care for these important tools will be well worth the time. All brushes will eventually wear out and will then need to be replaced, but lengthening the span of time before that is necessary will help the budget. Cleaning is crucial to extending the life of a brush. Each brush should be cleaned immediately after use. Use a mild soap and clean in the palm of the hand. Rinse thoroughly and when water runs clear, lay the brush flat to dry. It should not be left vertical to dry as this will cause water to be pulled into the handle and will ultimately cause the handle to loosen and the brush will no longer be usable. Paint brushes should never be left sitting in a glass of water. Other than the effect it will have on the handle, it will crush the bristles. If the brushes are soaked, use a brush container that will suspend them and only fill the water to soak the bristles and not the ferrule or handle. After the paint brush is cleaned and dried it may be stored upright, or in a flat brush holder. Cleaning brushes is not only done at the end of a painting session, but should be done as needed. As a person is painting, effort should be made to keep paint away from the ferrule of the brush, but inevitably will naturally be drawn up the brush. As the paint gets close to the ferrule, it should then be cleaned. This is to prevent the paint from getting under the ferrule and drying there. Natural hair brushes also need to be conditioned on a regular basis. There are paint brush soaps that come with conditioners in them, or conditioner can be bought separately.
Make the investment of brushes one that will be used wisely. The results that a good paint brush produces are worth the initial cost, but only if the effort is made to care for them and extend the value of the investment.
Emma Snow is a creator at Craft Kits http://www.craft-kits.net leading portals for crafts and creative individuals.
Article Source: https://EzineArticles.com/expert/Emma_Snow/34756
Article Source: http://EzineArticles.com/556704
Wednesday, August 21, 2019
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Sunday, June 30, 2019
Vincent Van Gogh, the Tragic Story of a Brilliant Painter
Twelve years after his tragic suicide, Vincent's work was discovered by a Parisian art dealer. Until then, no one, except for those who knew him personally, had ever even heard the name. Today, large sums of money are exchanged for his work.
Article Source: http://ticles.com/64989
Vincent was born in the Dutch village of Zundert, in the south of the Netherlands. He studied theology and became a preacher in the Methodist Church. He also worked for several different art dealers in The Hague, London and Paris. Only in 1880 does he start painting, first traditional and very "Dutch", reflecting the Dutch rainy climate with many dark brown colors.
In 1886 Vincent moves to Paris, and two years later to Arles, on the Mediterranean, near Marseille. On the 20th of October of that year, Vincent's friend Gauguin joins him in Arles. Vincent's art becomes lighter in color, showing the Mediterranean sunlight in it.
Two months after Gauguin comes to Arles, Vincent has a schizophrenic episode and cuts a piece of his own ear off. The years following, Vincent starts to get very sick, and he eventually kills himself in 1890. His brother, Theo van Gogh, who had supported Vincent all of his life, dies seven months after Vincent, possibly from grief.
Van Gogh never sold a painting in his life. Today, his paintings are the most expensively sold in the world, and are admired around the globe in many museums and private collections. He also is celebrated as the forerunner of the expressionist movement.
Written by Duco Sminia
Featured artist: Vincent van Gogh [http://vincentvangogh.dusmart.com].
Research done by Irene Sminia.
Article Source: https://EzineArticles.com/expert/Duco_Sminia/13916
Article Source: http://ticles.com/64989
Vincent was born in the Dutch village of Zundert, in the south of the Netherlands. He studied theology and became a preacher in the Methodist Church. He also worked for several different art dealers in The Hague, London and Paris. Only in 1880 does he start painting, first traditional and very "Dutch", reflecting the Dutch rainy climate with many dark brown colors.
In 1886 Vincent moves to Paris, and two years later to Arles, on the Mediterranean, near Marseille. On the 20th of October of that year, Vincent's friend Gauguin joins him in Arles. Vincent's art becomes lighter in color, showing the Mediterranean sunlight in it.
Two months after Gauguin comes to Arles, Vincent has a schizophrenic episode and cuts a piece of his own ear off. The years following, Vincent starts to get very sick, and he eventually kills himself in 1890. His brother, Theo van Gogh, who had supported Vincent all of his life, dies seven months after Vincent, possibly from grief.
Van Gogh never sold a painting in his life. Today, his paintings are the most expensively sold in the world, and are admired around the globe in many museums and private collections. He also is celebrated as the forerunner of the expressionist movement.
Written by Duco Sminia
Featured artist: Vincent van Gogh [http://vincentvangogh.dusmart.com].
Research done by Irene Sminia.
Article Source: https://EzineArticles.com/expert/Duco_Sminia/13916
Thursday, June 27, 2019
Super Size custom canvas manufactured by www.artcanvasfactory.com
Here is a super large, as well as super sturdy canvas mount we customized for a very talented artist https://www.instagram.com/danielle_rovetti_art - This stunning work of art is a mixture of concrete, oils and resins....
View this post on InstagramA post shared by Danielle Rovetti (@danielle_rovetti_art) on
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